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Conservative Voices
Conservative Voices
29 w

Biden calls out Trump’s tariff plan, says it is ‘counterproductive’
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www.brighteon.com

Biden calls out Trump’s tariff plan, says it is ‘counterproductive’

Follow NewsClips channel at Brighteon.com for more updatesSubscribe to Brighteon newsletter to get the latest news and more featured videos: https://support.brighteon.com/Subscribe.html
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Conservative Voices
Conservative Voices
29 w

This is not only a safety issue, it’s a common sense issue: Incoming Trump border czar
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www.brighteon.com

This is not only a safety issue, it’s a common sense issue: Incoming Trump border czar

ollow NewsClips channel at Brighteon.com for more updatesSubscribe to Brighteon newsletter to get the latest news and more featured videos: https://support.brighteon.com/Subscribe.html
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Conservative Voices
Conservative Voices
29 w

‘Woke NFL’ using Donald Trump’s ‘signature dance move’
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‘Woke NFL’ using Donald Trump’s ‘signature dance move’

Follow NewsClips channel at Brighteon.com for more updatesSubscribe to Brighteon newsletter to get the latest news and more featured videos: https://support.brighteon.com/Subscribe.html
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Conservative Voices
Conservative Voices
29 w

How I Wised Up
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www.theamericanconservative.com

How I Wised Up

Film How I Wised Up Perhaps gentlemanliness is superior to genius. (Jim Smeal/Ron Galella Collection via Getty Images) Twenty years ago this month, I interviewed the director of The Day the Earth Stood Still, West Side Story, The Sand Pebbles, and the original Star Trek: The Motion Picture. When I called the filmmaker Robert Wise in December 2004, he was 90 and I was 21. The interview was one of my first brushes with Hollywood, and it remains one of my most memorable. It has also proven to be instructive in ways I did not foresee at the time. To invoke a line from a certain famous song from The Sound of Music, the beloved screen adaptation of which was produced and directed by Wise: Let me start at the very beginning. At the time of the interview, I was placing numerous calls around the country and the world in furtherance of my quixotic first book project, an oral history with colleagues and collaborators of Orson Welles. Before he took a seat in the director’s chair, Wise put in time as the editor of Welles’s masterpieces Citizen Kane and The Magnificent Ambersons. The agreed-upon subject of my interview with Wise was his tenure with Welles—which, unhappily, included Wise overseeing the significant editorial revisions made to Ambersons, which was released in a form much deviated from Welles’s intentions.   I was, at that time, very much a Wellesian and assuredly not a Wisean—the latter an adjective that does not even exist since the state of fandom it would describe is nonexistent. Put more plainly, I assented to the widely held view among serious film fans that Welles was a nonpareil genius and Wise was, at best, an adequate technician and, at worst, a traitorous figure for participating in the modifications to Ambersons. In his classic book The American Cinema, the great film critic Andrew Sarris could muster no more than this about Wise: “His temperament is vaguely liberal, his style vaguely realistic.” Of course, the public, which generally turned Wise productions into big hits, embraced his work, but more on that in a moment. My firm opinions about Wise vs. Welles withered once I got on the phone with the man. Wise remains the most courteous, mild-mannered, and accommodating multiple Oscar-winner I have ever interviewed. This is surely a low bar, but it does not change the plain reality: Wise was so gracious in answering my questions—so willing to play along with the fiction that he had not given hundreds of other interviews about Welles—that common decency precluded me from interrogating him about what had happened on Ambersons. I certainly asked about the debacle—and he answered readily and candidly—but I was not in a mood to challenge him. He was too nice. I realized that the virtue of gentlemanliness was perhaps greater than that of genius. I also began to wonder: If this was true in human terms—that Wise was a more civilized man than the self-described maverick Welles—could not the same be true in cinematic terms? What if Wise’s popular entertainments—sturdy, dependable, efficient—were not, ipso facto, inferior to Welles’s art-house bonbons? To put it bluntly, what if The Sound of Music had more to offer, in the long run, than Citizen Kane?Hear me out. Based on the classic Rodgers and Hammerstein musical, The Sound of Music was not a subject of widespread detestation when it was released in 1965. My soon-to-be-married parents saw it on one of their first dates, and Oscar voters agreed with their good taste: It won five statuettes, including Best Picture. Sure, the film critic Pauline Kael denigrated it as “The Sound of Mucus,” but since when did she speak for the common moviegoer? (Kael once admitted that only one person in her social circle had voted for Nixon in 1972.)  When I look at The Sound of Music today, I can readily discern its many qualities: the importation of stage-bound musical numbers to breathtaking real locations; the gradual maturation of Maria (Julie Andrews) from novitiate to prospective stepmother of the Von Trapp brood; the incremental moderation of Captain Von Trapp (Christopher Plummer) from steely widower to prospective husband of Maria; the way the camera ascends past the altar and, in a striking cut, beyond the top of the exterior of the basilica at the wedding of Maria and the captain. Wise helmed the ideal cinematic vessel to communicate the wisdom of Rodgers and Hammerstein’s tunes: “Do-Re-Mi” stands as a metaphor for mastering any subject, not just singing, and “My Favorite Things” offers its litany as a kind of bulwark against adversity of any kind. Could Welles have captured Plummer singing “Edelweiss” with as much expressive simplicity as Wise? I think not. Wise made many other movies worth seeing and re-seeing: the film noir The Set-Up, the submarine movie Run Silent, Run Deep, the horror story The Haunting, the early Michael Crichton adaptation The Andromeda Strain. You have nothing to apologize for, Mr. Wise. As for myself, I am not inclined to apologize for defending The Sound of Music. I am secure in the knowledge that H.L. Mencken—the Sage of Baltimore himself—had unaccountably loved the Leslie Caron musical Lili (a fact reported by Sarris, who also claimed it was the only movie Mencken ever saw). I am bolstered, too, by our president-elect’s unrepentant fondness for schmaltz, including the musicals of Andrew Lloyd Webber. Maybe I have entered the phase of life when the wholesome sentiment of The Sound of Music strikes me as more valuable—a better teacher, a richer experience—than the ostentatious cynicism of Citizen Kane. If so, my course was charted 20 years ago—when Robert Wise was so nice to me over the phone. The post How I Wised Up appeared first on The American Conservative.
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Conservative Voices
Conservative Voices
29 w

The Limits to a Trump-Milei Alignment
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The Limits to a Trump-Milei Alignment

Foreign Affairs The Limits to a Trump-Milei Alignment There are fundamental tensions between American and Argentine national interests. One of the foreign leaders that most euphorically greeted Donald Trump’s comeback to the White House was Argentina’s President Javier Milei. He traveled to Florida November 14–15 to participate in the Conservative Political Action Committee (CPAC) meeting, where he delivered a characteristically combative speech; the highlight of the trip was his meeting with the American president-elect. Milei prolifically shared on social media the pictures of his meetings with Trump and their common friend and supporter billionaire Elon Musk.  On the face of it, Trump and Milei look like a match made in heaven. Both relish in taking on the liberal establishment, and both seem to be on a mission to destroy the institutional bases of its power. In fact, The American Conservative’s own Joseph Addington in a recent article praised Milei for attacking the entrenched vested interests, such as those of the trade unions, and drastically slashing government spending, including by reducing the number of ministries by half. Milei’s ties with Elon Musk (who has praised his record) and the former presidential candidate Vivek Ramaswamy, the two men appointed by Trump to improve “government’s efficiency,” may ensure that Washington looks to the libertarian in Buenos Aires for inspiration, even though the powers of the Argentine president are constitutionally vastly superior to those of the U.S. president.  A question: can this convergence serve as a basis for a geopolitical alignment between Washington and Buenos Aires in ways that advance American interests in the Western Hemisphere, particularly by staving off challenges from extra-regional adversaries like China? If the answer is “yes,” it is a heavily qualified one: There are powerful structural reasons that would limit the scope of the emerging entente. First, the common ground. Both the incoming Trump administration (judging by early appointments) and Milei share hostility to the left-leaning governments in Latin America. The first Trump administration adopted harsh sanctions against what his national security adviser John Bolton (eventually fired by Trump for his unbridled hawkishness) defined as a regional “troika of tyranny”—Cuba, Venezuela and Nicaragua. The appointment as the secretary of state of the hawkish Florida Senator Marco Rubio, himself a descendant from the anticommunist Cuban exiles, augurs a return to the hard line (not that Biden has softened Trump’s first-term policies in any significant way). Milei is equally belligerent towards these regimes. In fact, he went so far as to fire his foreign minister Diana Mondino (not exactly a dove) after Argentina voted at the UN General Assembly against the continued U.S. embargo on trade with Cuba. In doing so, Buenos Aires merely followed its long-standing position, shared by an overwhelming majority of nations, and opposed only by the U.S. and Israel. Regardless, Milei declared that “Argentina’s place is next to the U.S. and Israel, not “the other side”—the irony of a libertarian supporting a trade embargo notwithstanding. The more moderate left-leaning governments in Latin America were not spared Milei’s ire either. He publicly called Luiz Inacio da Silva, known as Lula, the president of Brazil—Argentina’s main trade partner—“corrupt” and a “communist”.   Rubio is a long-time critic of Lula, whom he accused of cozying up to China, both bilaterally and through formats like BRICS, a group founded by Brazil, Russia, China, India and South Africa with the ostensible aim to promote a more multipolar international dispensation.  Any talk of multipolarity, of course, is an anathema for neoconservative primacists like Rubio. It is conceivable that the new administration in Washington will try to leverage Milei’s Argentina to balance Brazil in the Western Hemisphere. Ideological convergence, however, can only go so far when weighed against the hard national interest. Even if the default assumption is that the new Trump administration is indeed likely to adopt aggressive policies towards Cuba, Venezuela, and Nicaragua, it may also learn from the past when such policies failed to produce regime change in any of these countries. Instead, they merely worsened the economic conditions there which pushed more people to migrate to the U.S.  There is no denying of the crucial role the perception of uncontrolled immigration played in the defeat of the Democratic Party in this year’s presidential and congressional elections. So the possibility that Washington would adopt an America First approach and negotiate some hard-nosed migration deals with these regimes instead of doubling down on the failed “maximum pressure” policies cannot be entirely discarded. Milei floated the idea of a free trade agreement with the U.S. That would undermine the Mercosur—a regional customs union of Argentina, Brazil, Paraguay and Uruguay—as, according to the club’s rules, its members are barred from pursuing separate trade deals. For Brazil, Mercosur is far more than a mere trade bloc—it’s a mainstay of its regional power, a tool for realizing the more multipolar world it seeks. Consequently, dealing a blow to it would make sense from a U.S. primacist perspective.  But Trump is not known for its enthusiasm for free trade. In fact, his economic policies emphasizing near-shoring, reindustrialization and trade protectionism resemble much more those of Milei’s Peronist foes than Milei’s—a fact not lost on Cristina Fernandez, a former Peronist president (2007–2015) and an astute politician, who in 2019 praised Trump’s economic policies. Milei’s pro-free trade enthusiasm is likely to be curbed by Trump’s America First economic vision.  And that brings us to potentially the most serious stumbling block—relations with China. Washington sees Beijing as its only plausible peer competitor. Yet years of American neglect of South America have led the region to a growing entanglement with the Asian giant.  Milei started out as a fierce China critic, denouncing it at one point as an “assassin” and vowing to privilege relations with the U.S.-led “democratic world.”  He revoked his Peronist predecessor’s application to join the BRICS. The Biden administration, however, never reciprocated and failed to show any interest in engaging with Milei, so the anticipated investment from that democratic world never materialized. Meanwhile, China, instead of reacting hastily to Milei’s rhetoric, adopted a long-term, strategic view. As a result, Milei himself has come around by recognizing China as a valuable partner that doesn’t meddle in Argentina’s internal affairs.   As a consequence of this newfound pragmatism, Argentina renewed its $5 billion tranche of currency swaps with China, which is needed to stabilize the exchange market and pay for some of its maturities to the International Monetary Fund. (The agreement was first implemented in 2009 and survived governments of all ideological hues in Argentina). Apart from that, China is the second-largest trade partner for Argentina—behind only Brazil—and is heavily involved in the construction and financing of large-scale infrastructure projects, such as dams. To consolidate the relationship further, Milei plans to attend the Community of Latin American and Caribbean States summit with China in Beijing in January 2025. So, despite a degree of ideological convergence and warm chemistry between the two leaders, it would seem likely that both Trump and Milei would pursue their own versions of MAGA—making America and Argentina great again—aligning where possible, but pursuing separate paths where necessary. The post The Limits to a Trump-Milei Alignment appeared first on The American Conservative.
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Intel Uncensored
Intel Uncensored
29 w

Home with Dan Andrews themed XMas ? lights ? in Victoria!!!
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Home with Dan Andrews themed XMas ? lights ? in Victoria!!!

Dan Andrews - "Get on the beers" ? Awesome and kinda funny!!!
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Intel Uncensored
Intel Uncensored
29 w

PAULINE HANSON - Please Explained (Part 2)
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PAULINE HANSON - Please Explained (Part 2)

Part 1 last week was here https://old.bitchute.com/video/eGJhngrLjGw7/ UTL COMMENT:- In all honesty, yesterday's disgraceful effort of the Laberal Uniparty ramming through bills into the middle of the night with little to no discussion has utterly destroyed my faith in "democracy" in this country.
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Intel Uncensored
Intel Uncensored
29 w

THE WHITE RABBIT - Dr. Jonathan Gilthorpe of NORTHGROUP on HALTING the mRNA rollout
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THE WHITE RABBIT - Dr. Jonathan Gilthorpe of NORTHGROUP on HALTING the mRNA rollout

UTL COMMENT:- Let's not forget that the so-called 'virus' has not been isolated. And FOI Request's worldwide have not revealed any proof of it's actual existence..... just sayin'.....
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Classic Rock Lovers
Classic Rock Lovers  
29 w

Anarchy, nostalgia, and innovation: The EP that kickstarted Australia’s psychedelic boom
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faroutmagazine.co.uk

Anarchy, nostalgia, and innovation: The EP that kickstarted Australia’s psychedelic boom

"A combination of strength and pain, fear and excitement." The post Anarchy, nostalgia, and innovation: The EP that kickstarted Australia’s psychedelic boom first appeared on Far Out Magazine.
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Conservative Voices
Conservative Voices
29 w

Trump Must Lead Big Tech Accountability in the Fight Against Child Exploitation
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townhall.com

Trump Must Lead Big Tech Accountability in the Fight Against Child Exploitation

Trump Must Lead Big Tech Accountability in the Fight Against Child Exploitation
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