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Living In Faith
Living In Faith
44 w

Why Retro Is the Future of Cultural Apologetics
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Why Retro Is the Future of Cultural Apologetics

Christian cultural apologetics often chases the latest sensation. Take, for instance, the countless words written about a blonde pop icon who dominates headlines with her catchy tunes, her dating life, and her symbolism-filled videos. Her every move sparks heated debates about feminism, sexuality, and the nature of pop stardom. She’s more than just a singer; she’s a cultural phenomenon. Her concerts are sell-out events, drawing throngs of adoring fans who mimic her distinctive style. Critics alternately praise her as a trailblazer and condemn her as a corrupting influence. Meanwhile, Christian commentators scramble to make sense of it all, penning countless articles analyzing her latest hits for hidden meanings and potential gospel connections. Wait, did you think I was talking about Taylor Swift? No, I’m referring to Madonna, circa 1985. Just as Madonna once held the cultural spotlight like today’s pop stars, the themes surrounding her work—identity, rebellion, and the search for meaning—echo in today’s pop culture debates. Yet in our rush to engage with what’s trending, we miss a crucial truth: these issues aren’t new, and neither is the struggle to make sense of them. While engaging with current trends has its place, deeper spiritual insight often comes from engaging with lasting works that address enduring human questions—works that have stood the test of time. For me as a teenager in the 1980s, what resonated more than analyses of Madonna’s hits were the works of thinkers like Francis Schaeffer, who drew from the deeper wells of history, art, and philosophy. In his book How Should We Then Live? (1976), Schaeffer considers how the work of Paul Cézanne, John Cage, and Ingmar Bergman shaped modern thought. I’d never seen the paintings, heard the music, or watched the films of those artists. Yet such examples were more enlightening than close readings of the lyrics to “Papa Don’t Preach” or “Like a Virgin.” Schaeffer was a master of a powerful but often neglected approach to cultural apologetics: engaging with eternal truths by looking to the not-so-recent past, to cultural touchstones that are considered “retro” and have had time to mature in our collective consciousness. By examining cultural artifacts that have stood the test of time—whether songs, films, books, paintings, or other works—we can uncover spiritual insights that speak not just to a fleeting moment but to enduring aspects of the human experience. This approach allows us to move beyond surface-level analysis and knee-jerk reactions, inviting deeper reflection on how art, culture, and faith intersect. Shortcomings of Trend-Centric Apologetics Retro cultural apologetics also aligns closely with the biblical concept of wisdom. As Proverbs 1:5 tells us, “Let the wise listen and add to their learning, and let the discerning get guidance” (NIV). By engaging with works that have endured over time, we’re following this biblical mandate to seek wisdom from those who’ve gone before us. Yet in recent years, Christian cultural engagement has followed the opposite path by gravitating toward whatever is most current in pop culture. Apologetic efforts dissect the latest song, movie, or viral trend, looking for theological connections. While this approach can be useful for initiating conversations with modern audiences, it has several key limitations. First, pop culture is inherently fleeting. Trends that dominate the public consciousness today may be forgotten tomorrow. Apologetic works that latch on to these trends run the risk of becoming irrelevant almost as quickly as they’re written. Consider Christian think pieces that explored the themes of empowerment and sacrifice in Wonder Woman or redemption arcs in Spider-Man: No Way Home. While such analyses might have sparked valuable conversations for a moment, they’re already dated. They aren’t remembered because those works failed to wrestle with the complexities of human suffering or grace in the same way as, say, Dostoevsky does in his novels or Flannery O’Connor does in her short stories. Pop culture is inherently fleeting. Trends that dominate the public consciousness today may be forgotten tomorrow. Second, pop culture engagement often focuses on easily digestible themes like empowerment or individuality rather than on the meatier questions of life and faith. For example, many Christian commentators have analyzed pop songs for traces of redemptive arcs or moral lessons, but these analyses can sometimes feel forced. Superhero movies may offer insights on violence and grace, but they rarely engage with the full complexities of human sin, suffering, or grace in the way that older, more substantial works can. Additionally, focusing too much on the newest cultural trends can lead to overcontextualization, where we risk watering down or oversimplifying the gospel message to make it fit contemporary pop narratives. The danger here is that in our effort to remain relevant, we may inadvertently reduce Christianity to a set of moralistic principles rather than presenting the full, rich gospel of salvation through Christ. Take, for example, Christian think pieces on WandaVision (which, after only three years, already feel outdated). While many explored themes of grief and reality-bending, these articles often missed opportunities to connect the show’s exploration of loss with theological discussions about suffering and divine providence. But who has time to put that much thought into a comic-book show? The rapid pace of pop culture leaves little room for the kind of sustained reflection that leads to genuine spiritual growth. Richness of Retro Cultural Apologetics In contrast to this trend-chasing approach, retro cultural apologetics offers a deeper, more reflective engagement. By turning our attention to works of art, literature, and film that have lasting influence, we can uncover insights that speak not only to the issues of the moment but also to the broader human condition. We invite Christians into the Great Conversation—the ongoing dialogue between great thinkers, writers, and artists throughout history who’ve wrestled with life’s fundamental questions. This conversation spans centuries and crosses cultures, addressing themes such as truth, beauty, virtue, justice, and the nature of reality. By engaging with these great minds, Christians can contribute to this broader conversation, offering the unique insights of the gospel to a world hungry for answers. For example, C. S. Lewis, one of the most influential Christian apologists of the 20th century, frequently engaged with older works. In The Abolition of Man, Lewis critiques the modern educational system. Rather than relying on contemporary cultural references, Lewis builds his argument by drawing deeply on classical philosophy and premodern ethics, engaging with thinkers like Aristotle, Plato, and the medieval theologians who shaped Christian moral thought. His ability to engage with the Great Conversation allowed him to offer a profound critique of modern secularism, one that continues to resonate today. Similarly, thinkers like G. K. Chesterton and Schaeffer used retro cultural apologetics to engage with the great ideas of their time, drawing on history, philosophy, and art to demonstrate the Christian worldview’s coherence and truth. By rooting their apologetics in the broader conversation of ideas, they were able to address not only the immediate concerns of their audience but also the deeper, more enduring questions of existence, morality, and meaning. Retro cultural apologetics encourages Christians to slow down, step back from the noise of the present moment, and engage with truths that have shaped civilization for centuries. In doing so, it helps to anchor our faith in something deeper than the latest trend—it grounds it in the enduring truth of the gospel and the wisdom of those who’ve gone before us. Swift I Know, and Marvel I Know; but Who Is Dante? One of the challenges of retro cultural apologetics is that many of the works we reference may not be familiar to a contemporary audience. Names like Taylor Swift and Marvel Studios are immediately recognizable, but mention Dante, Dostoevsky, or O’Connor, and you might get blank stares. How can we connect with people using cultural references they’ve never engaged with or perhaps never even heard of? The key isn’t to assume familiarity but to create bridges that introduce these retro works in ways that feel both accessible and relevant to modern readers. It’s possible to help people engage deeply with older works—even those centuries removed from their cultural context—by drawing connections to things they already understand and by making the unfamiliar both compelling and approachable. Here are several ways to do that. 1. Start with the familiar and build a bridge to the past. One of the most effective ways to introduce older, less familiar works is to start with something your audience knows well and use it as a gateway to the retro reference. For instance, people might be familiar with themes of good versus evil in superhero movies like Avengers: Endgame. You could use that familiarity to introduce Dante’s Divine Comedy, explaining that, long before the Avengers were battling Thanos, Dante explored the nature of good and evil through his vivid depictions of hell, purgatory, and paradise. Why not just stick with the cultural reference people know? Because in Avengers: Endgame, the battle between good and evil is clear-cut, with superheroes fighting a villain bent on cosmic destruction. Dante’s Divine Comedy, in contrast, goes far deeper, presenting not just a battle but a moral journey where the choices of each soul carry eternal consequences. The vivid depictions of sin, punishment, and redemption engage with human morality on a level that modern pop narratives rarely touch. The goal is to show how the ideas in these older works aren’t foreign or abstract; they’re deeply connected to the same human questions and struggles we see in contemporary culture. By starting with something familiar and then showing how a classic work addresses the same themes in a deeper or more enduring way, you make the older work accessible and meaningful. 2. Draw out the universal themes. Works that have stood the test of time—such as Dante’s Inferno or Dostoevsky’s Crime and Punishment—do so because they address universal human experiences and emotions. Even if people have never heard of these authors, they can connect with the themes their works explore: the nature of suffering, the search for meaning, the struggle with guilt, or the tension between justice and mercy. Dante’s Divine Comedy, for instance, may seem distant from modern-day concerns, but its exploration of sin, punishment, and redemption speaks directly to ongoing questions about justice and moral responsibility. In a world increasingly obsessed with individualism and subjective morality, Dante’s ever-relevant vision challenges us to think about eternal consequences, not just temporary struggles. When introducing a retro reference, don’t assume your audience needs a detailed historical or literary background to appreciate it. Instead, focus on the human questions the work raises. For example, to introduce Dante you could explain that The Divine Comedy is essentially about the human journey through the consequences of sin, the hope of redemption, and the longing for union with God. These themes resonate just as deeply today as they did when Dante first wrote them in the 14th century. 3. Contextualize without overwhelming. It’s important to provide enough context for your audience to understand the significance of a retro work but not overwhelm them with too many details. When introducing an unfamiliar figure, you don’t need to give a full literary biography or a history lesson. Instead, offer just enough background to situate the work in its proper context, while keeping the focus on why the work matters today. The Divine Comedy’s themes resonate just as deeply today as they did when Dante first wrote them in the 14th century. For example, you might briefly explain that Dante wrote The Divine Comedy during a time of political turmoil and personal exile, but quickly move on to the more relevant point: Dante’s depiction of human souls journeying through hell, purgatory, and paradise invites us to reflect on our own moral and spiritual journey. The historical details serve as a framework, while the emphasis should be on how the work speaks to contemporary spiritual realities. 4. Highlight modern parallels and influences. Many classic works you may want to reference in retro cultural apologetics have influenced modern culture, whether your audience realizes it or not. By pointing out these connections, you can make the retro reference feel more relevant and interesting. Long before I ever read Dante’s Inferno, I read X-Men Annual #4: Nightcrawler’s Inferno. In that 1980 comic, Doctor Strange, Wolverine, Storm, and Colossus journey through the hell described by the Italian poet to find their friend Nightcrawler. I therefore knew Dante before I was exposed to his work. Many people have had a similar experience. His work has influenced everything from modern literature to video games and movies, and so people know more about his work than they realize. By drawing parallels between Dante’s vivid imagery and the symbolic representations of good and evil in pop culture, you help your audience see how the old and the new are connected. Similarly, pointing out how Dostoevsky’s exploration of guilt and redemption influenced modern psychological thrillers can create a bridge between Crime and Punishment and something your audience already enjoys. 5. Make it personal. One of the most compelling ways to introduce a classic work is to make it personal. Share how a particular retro reference has influenced you, shaped your thinking, or deepened your faith. When people see that these older works have real relevance to your life, they may be more inclined to explore them for themselves. For instance, you could share (as I could) how reading Augustine’s Confessions transformed your understanding of the human heart’s restlessness apart from God. Augustine’s famous line “You have made us for yourself, O Lord, and our heart is restless until it rests in you” might have resonated deeply with you, helping you see how even centuries-old reflections speak to the modern struggle for identity, purpose, and peace. By discussing how Augustine’s story of faith, doubt, and conversion mirrored aspects of your life, you can show how his ancient writings are still profoundly relevant. These personal connections help demystify older works and open the door for others to engage with them. 6. Present the work as a conversation partner. Instead of treating retro works like relics of the past, present them as active conversation partners for today. When you engage with the Western canon in your cultural apologetics, emphasize that these authors and thinkers were grappling with many of the same questions we face today—about love, loss, morality, and the search for meaning. Frame the classic work as part of an ongoing dialogue about life’s biggest questions. For example, rather than simply giving a summary of The Divine Comedy (which they can get from Wikipedia), ask how Dante’s understanding of sin and salvation compares to our modern views on morality and redemption. By positioning these older works as conversation partners rather than museum pieces, you invite your audience into a dialogue that feels both relevant and enriching. Anchor Apologetics in Eternal Truths Introducing unfamiliar retro works isn’t just about imitating past voices; it’s about carrying their wisdom forward. We may not be as clear as Lewis, as clever as Chesterton, or as comprehensive as Schaeffer, but we can draw from the deep wells of history as they did and bring the same timeless truths to a new generation. We can show how the cultural moment may change but the truth remains. It’s just waiting for us to recover it. Instead of treating retro works like relics of the past, present them as active conversation partners for today. As we engage in cultural apologetics, let’s not be content with chasing today’s trends. Instead, let’s immerse ourselves in the enduring works of the past—those that have shaped not only Christian thought but the very fabric of human civilization. By doing so, we’ll offer a richer, more reflective apologetic that speaks to the eternal truths of the gospel in every age. So let’s take action. Pick up a book that has endured, a piece of art that has spoken across time, or a symphony that has stirred souls for generations. Engage with it deeply, reflect on its connection to the true faith, and use it to invite others into a conversation that transcends the present moment. Don’t stop at simply engaging personally with these works. Form a book group to discuss them in your community. Bring up these ideas in church contexts, small groups, or even conversations with friends. Use them as teaching tools in youth groups or Bible studies. By doing this, you’ll be able to offer something far richer than what can be gained by chasing page views and fleeting trends. You’ll be able to offer an apologetic rooted in the eternal.
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Living In Faith
Living In Faith
44 w

How Jesus Satisfies Our Desire for Authentic Beauty 
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How Jesus Satisfies Our Desire for Authentic Beauty 

The beauty industry is rapidly changing and growing, and Gen Zers and millennials are leading the way. According to Revieve, a beauty and wellness platform, “Gen Z is changing the face of beauty.” In their eyes, beauty is defined by “freedom of individuality, authenticity, and diversity.” It’s about being yourself but also about being your best self. Gen Zers seek brands that support their values and complement their identity, so they look to the wellspring of all wisdom—YouTube, TikTok, and Instagram. This fount provides a never-ending supply of make-up tutorials, beauty hacks, and product reviews. According to a 2023 survey, millennials spend an average of $2,670 per year on beauty products, followed by Gen Zers at $2,048; and 64–67 percent say it’s because of social media’s influence. As a millennial, I’m aware of this influence, yet I still willingly give in. When I don’t like what I see in the mirror, a voice whispers, “We can change that.” An article here. A TikTok tutorial there. Another order on Amazon. But in the end, I’m left feeling empty. And the pattern repeats. Our longing for “authentic” beauty drives us to a cacophony of voices that promise solutions but lead to dissatisfaction. Trends change. Fads fade. Anything “authentic” is just another counterfeit. Then where are we to look? Look to Christ’s Beauty What we find in God’s Word turns our culture’s definition of beauty upside down through the life and death of God’s Son. We were designed to treasure beauty; we just look for it in the wrong places. Here are four reasons we’re to look to Jesus, not social media, to satisfy our desire for authentic beauty. We were designed to treasure beauty; we just look for it in the wrong places. 1. Jesus is the radiance of God’s glory. When Moses asked to see God’s glory, God told him no one could see his face and live (Ex. 33:20). But he’d be willing to show Moses his back. As he passed by Moses, God spoke these words: The LORD, the LORD, a God merciful and gracious, slow to anger, and abounding in steadfast love and faithfulness, keeping steadfast love for thousands, forgiving iniquity and transgression and sin, but who will by no means clear the guilty, visiting the iniquity of the fathers on the children and the children’s children, to the third and the fourth generation. (34:6–7) When Moses came down from the mountain, his face was shining. To see God’s glory, to gaze on his beauty, is to know his character and be in his presence. This is why David says his one request is to gaze on the beauty of the Lord (Ps. 27:4). He knows God as the merciful and majestic King over all creation and desires to behold him by worshiping him in the temple. Some caught glimpses of his glory, but no one had ever seen God (John 1:18)—until Jesus came. In the person of Jesus Christ, we see the “radiance of the glory of God” (Heb. 1:3). So the Bible’s description of Jesus’s appearance may shock us. 2. Jesus laid aside his beauty. Many men and women in Scripture were described as attractive. Sarah (Gen. 12:11), Rebekah (24:16), Rachel (29:17), Esther (Est. 2:7), and Tamar (2 Sam. 13:1) were all described as beautiful in appearance. Joseph “was handsome in form and appearance” (Gen. 39:6), and David “was ruddy and had beautiful eyes and was handsome” (1 Sam. 16:12). But Jesus wasn’t described this way. Instead, in Isaiah we read that “he had no form or majesty that we should look at him, and no beauty that we should desire him” (53:2). The Savior of the world came as someone who wasn’t considered beautiful or worthy of our attention. If we’d been there, we wouldn’t have been drawn to him. If he’d been on social media, we wouldn’t have followed him. He wouldn’t have even come close to our standard of beauty. So we must ask ourselves, Why are we clinging to something that Jesus willingly laid aside? Isaiah 53:2 is one of the few places in the Bible that speak of Jesus’s appearance. Another comes a few verses before and is even more jarring. 3. Jesus took on our ugliness. Not only did Jesus have no beauty that we should desire him, but he suffered to the point of being unrecognizable—a mass of wounded flesh so marred he didn’t look human anymore: “His appearance was so marred, beyond human semblance, and his form beyond that of the children of mankind” (52:14). As he hung on the cross, bloody and naked, Jesus took our ugliness on himself. He bore our sin, which is described in Scripture as a heavy burden and as open sores that stink and fester (Ps. 38:4–5; Isa. 1:6). God’s wrath poured out on his Son, treating him as if he had committed every one of our hideous deeds. This horrific sight accomplished our salvation, the greatest display of love the world has ever seen. So, Christian, hear this: when God looks at you, he no longer sees the ugliness of your sin—he sees the beauty of his Son. Look at Jesus, the One who bore your sin that you’d be washed clean and clothed in his splendor. Look on his glory in an unflinching gaze and don’t ever take your eyes off him. And tell others about him, for those who do have beautiful feet (Rom. 10:15). 4. Jesus received a glorified body. The good news is that Jesus didn’t stay up on that cross. He rose, receiving a glorified body, the firstfruits of the resurrection (1 Cor. 15:20). The resurrection points to the importance of our bodies. Gnosticism claims the body is bad, but Scripture says our bodies are temples of the Holy Spirit (6:19). We glorify God by taking care of our bodies, but we can go too far if we seek to glorify them now rather than waiting for God to do this in eternity. One day, we’ll receive glorified bodies and be presented without spot or wrinkle (15:5–53; Eph. 5:27). But even better than this, we’ll gaze on our beautiful Savior. Reflect Christ’s Beauty Until then, how will we make ourselves ready? Will we chase a fading beauty? Will we spend our time and money seeking our glory? Or will we pursue the authentic and imperishable beauty of Christlikeness, pointing others to the beauty of the gospel of Jesus Christ for his glory? When God looks at you, he no longer sees the ugliness of your sin—he sees the beauty of his Son. When you’re getting ready in the morning, before you go to your closet or open your cosmetics drawer, consider what qualities you want to put on (Col. 3:12–24). What do you want people to see when you leave the house: you or Christ? Rather than spending all of your time in front of the mirror, spend time in God’s Word reflecting on Christ’s beauty. Before going on social media, ask yourself, Will this help me to behold Christ or make me more focused on myself? Rather than enviously scrolling through a friend’s Instagram photos, spend time with people who urge you to be more like Jesus. Let’s be people who, instead of worrying about what we see in the mirror, are a mirror that reflects Christ’s beauty. Only in him can our desire for beauty be satisfied.
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Daily Caller Feed
Daily Caller Feed
44 w

Tampa Bay Rays’ Tropicana Field Sees Its Roof Blown Off By Category 3 Hurricane Milton
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Tampa Bay Rays’ Tropicana Field Sees Its Roof Blown Off By Category 3 Hurricane Milton

We have absolutely wild footage out of Tampa
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YubNub News
44 w

CNN's Jake Tapper Wasn't Expecting This Response From Boris Johnson
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CNN's Jake Tapper Wasn't Expecting This Response From Boris Johnson

As Twitchy reported earlier, White House press secretary Karine Jean-Pierre speculated that Donald Trump had had as many as seven phone calls with Vladimir Putin since leaving office. "It's speculation,…
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YubNub News
44 w

Hurricane Milton slams into Florida
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Hurricane Milton slams into Florida

President Joe Biden has a “productive” conversation with Israeli Prime Minister Benjamin Netanyahu. A view from the ground in Tampa as Hurricane Milton, the second large and powerful hurricane in…
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YubNub News
44 w

Blinken Puts Lipstick on the Pig
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Blinken Puts Lipstick on the Pig

Reading Secretary of State Antony Blinken’s latest essay in Foreign Affairs was a lot like listening to the famous “Joe Isuzu” auto ads almost 40 years ago. Joe would make the most outrageous statements…
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YubNub News
44 w

Grand Strategy Must Begin with Homeland Defense
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Grand Strategy Must Begin with Homeland Defense

Foreign policy experts have been debating which of America’s geostrategic interests in Asia, Europe, or the Middle East should take precedence. But recent polling tells us that the American people…
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YubNub News
44 w

Court Applies Environmental Law to Biden-Harris Border Disaster
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Court Applies Environmental Law to Biden-Harris Border Disaster

The Arizona Department of Environmental Quality estimates that each border crosser leaves approximately six to eight pounds of trash in the desert during his or her journey. If you do the rough math,…
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YubNub News
44 w

Canadian woman charged with killing 3 people in 3 days, labeled a serial killer
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Canadian woman charged with killing 3 people in 3 days, labeled a serial killer

A Canadian woman accused of killing three people in a span of a few days in separate slayings has been arrested, authorities said this week before labeling her a serial killer.  Sabrina Kauldhar,…
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One in 8 girls and women raped or sexually assaulted before age 18, UNICEF says
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One in 8 girls and women raped or sexually assaulted before age 18, UNICEF says

UNITED NATIONS —  More than 370 million girls and women alive today, or one in every eight worldwide, experienced rape or sexual assault before the age of 18, the United Nations children's agency…
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