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Daily Wire Feed
Daily Wire Feed
2 yrs

The DNC Held An “Irish Americans For Harris-Walz” Event. It Was…Awkward.
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The DNC Held An “Irish Americans For Harris-Walz” Event. It Was…Awkward.

The slate of prominent Irish-American Democrats who gathered to express their support for Kamala Harris struggled to stay on topic. At times, it felt like last Tuesday’s “national organizing call” for Irish-Americans supporting Vice President Kamala Harris’s campaign could have been something the Democratic National Committee planned before the country’s Irish-American president took himself off the ticket. But if the event itself felt odd, it was hardly out of place on the Harris-Walz campaign schedule. The campaign has divvied voters up by their race at several virtual events over the last several weeks. “White Dudes For Harris” made a particular splash, as did “White Women For Kamala,” which featured a TikTok influencer who adopted a condescending tone — known as “gentle parenting” on social media — to tell the attendees they should never correct people of color. There are “For Harris” events for every conceivable identity group: black voters, South Asians, Jews, and more. But the event aimed at Irish-Americans seemed particularly awkward in the wake of the Democratic Party’s defenestration of a very-Irish president who is very proud of his heritage. As New Jersey Governor Phil Murphy said on the call, President Joe Biden was, along with John F. Kennedy, one of the “most Irish-American presidents in the history of our nation.” At one point, the call became a true Kennedy fest when JFK’s grandnephew and niece, Joe Kennedy III and Rory Kennedy, chimed in at the same time. Rory Kennedy told a story about a family rosary that was sentimental to her famous Irish-American political family. Biden sometimes carries a rosary in his pocket and goes to Mass regularly, although he famously flouts the Catholic Church’s doctrine on abortion, gender ideology, and other issues. “In Scranton, Irish Catholic Democrat is one word,” Virginia McGregor, DNC treasurer and national co-chair of Women for Harris said on the call. Biden himself did not join Tuesday’s call, although Murphy said the president would likely be “quoting an Irish poet or two” if he were there. Some of the speakers came armed with jokes. “I think the only thing Donald Trump really understands about Ireland or the Irish culture is the McDonald’s Shamrock Shake every March,” said Congressman Brendan Boyle (D-PA). “Most important, they’re not weird,” Representative Mary Gay Scanlon (D-PA) said about Irish-Americans in her swing state district, referencing the recent online barb from Democrats that the Trump-Vance ticket is “weird.” Rounding out the call was a bizarre appearance from actress and singer Lynda Carter, known for playing Wonder Woman in the ’70s, who began her remarks by talking about how she didn’t like her father’s “last wife” trying to cut his bushy Irish eyebrows. Carter also ranted about abortion — at one point appearing to forget the word contraception — and about men who support former President Donald Trump. “He’s really not for those men either because he wants to take away their condoms,” she said. “They want to take reproductive freedom. They want to take away — they want to take away not only our right to choose but, what do you call it? You know. Condoms and all of it. I’ve just lost my way. I get all excited.” Former Virginia Governor Terry McAuliffe quipped that Democrats “need the Irish because God gave us the gift of gab.” “We’re good talkers. There’s no one better at the doors,” he said. “The only problem, when we do door-to-door, we spend too long at each door.” Biden is a “spectacular president,” and Kamala will also be a “spectacular president,” McAuliffe said. Actor Michael Kelly, known for “House Of Cards,” also joined the call and said the country is at an “inflection point.” “Let me tell you, if there is anything that my Irish brothers and sisters know it is how to work,” the actor said of campaigning for Harris. Also joining the call were Reps. Tim Kennedy (D-NY) and Dan Kildee (D-MI). All of the speakers told listeners to sign up for the Harris campaign’s text alerts for Irish-American supporters. Biden “embodied completely” the Irish qualities of working hard and doing what is right when he dropped out of the 2024 race, McGregor, the DNC treasurer said. She also claimed that, “you cannot travel abroad without hearing how our country’s global standing has been restored.” “When you’re at your summer barbecues make sure you have three quick points about why you’re voting for Kamala Harris and Tim Walz,” she added. Harris and Tim Walz “share the values of the Irish community” as well, Murphy assured, urging supporters, “let’s leave no shamrock unturned” in supporting the new ticket. “Kamala Harris, Tim Walz, the Irish, unbeatable!” the New Jersey governor said. Editor’s note: Mairead Elordi (née McArdle) is very Irish-American.
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2 yrs

Study Suggests Tone Of Legacy Media Coverage Amounts To Election Interference
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Study Suggests Tone Of Legacy Media Coverage Amounts To Election Interference

A recent study suggests that the overall tone of legacy media coverage is so biased that it could be considered election interference. The Media Research Center evaluated the major network coverage of the 2024 presidential race — specifically Vice President Kamala Harris and former President Donald Trump — in the weeks since President Joe Biden was effectively forced off the ticket by prominent members of his own party. The results, they said, indicated a dramatic bias in favor of Harris — in terms of both the amount of airtime and tone of coverage. Tickets for “Am I Racist?” are on sale NOW! Buy here for a theater near you. “It’s all part of the media’s massive brainwashing enterprise in support of Kamala,” Fox News host Greg Gutfeld said. “It’s all part of the media’s massive brainwashing enterprise in support of Kamala. According to a new study by @TheMRC” 84% of Harris coverage has been positive – @greggutfeld on @Gutfeldfox. Watch the video for his risque repartee. Study by @RichNoyes: https://t.co/RF8Yi0Eivm pic.twitter.com/leQSx4dslJ — MRC NewsBusters (@newsbusters) August 21, 2024 The bias was apparent first in the amount of airtime given to Harris over Trump between July 21 — the day Biden announced he was leaving the presidential race — to August 17: Harris received 221 minutes of coverage during evening newscasts on ABC, CBS, and NBC. Trump received 133 minutes of coverage during that same period of time. It is important to note the context — namely, that even though the Democratic Party was in upheaval as it changed candidates and then Harris selected her running mate, the timeframe studied also began just after the Republican National Convention and Trump’s selection of Sen. JD Vance (R-OH) to be his VP, and just over one week after he had been shot at a Pennsylvania rally. Still, the coverage of the vice presidential candidates bore out a similar pattern. Over the course of 28 days, Vance saw just over 31 minutes of airtime. Minnesota Democratic Governor Tim Walz, Harris’ VP pick, saw just under 32 minutes of airtime, but he got all that coverage in half the time because the clock did not start for him until August 6. The tone of the coverage showed an even wider gap between the candidates. Evening news coverage included 57 positive comments about Harris and only 11 negative, which translated to a positive spin score of 84%.  Trump, on the other hand, had only 11 positive statements and 86 negative, which gave him a negative spin score of 89%. WATCH THE TRAILER FOR ‘AM I RACIST?’ — A MATT WALSH COMEDY ON DEI Again, the same trend continued with the vice presidential candidates: Walz received a 62% positive spin score, and Vance received a 92% negative spin score. In addition to all of that, major media outlets have continued to downplay issues that could negatively impact either Harris or the Democratic Party — while negative stories about Trump or Republicans continue to grow legs. The real question, MRC concluded, would be whether or not the public would see through the “extraordinarily lopsided coverage.”
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2 yrs

Adam Sandler Confirms NFL Star Travis Kelce Will Have A Cameo In ‘Happy Gilmore 2’
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Adam Sandler Confirms NFL Star Travis Kelce Will Have A Cameo In ‘Happy Gilmore 2’

Adam Sandler confirmed rumors that Kansas City Chiefs tight end Travis Kelce, who’s been making headlines all year for his high-profile romance with pop star Taylor Swift, will have a cameo in the upcoming comedy “Happy Gilmore 2.” “Travis has… he mentioned it, so we have a nice something for Travis,” the actor said on a Tuesday night appearance of “The Tonight Show.” “He’s gonna come by,” Sandler continued. “He’s a very nice guy. You guys would love him in real life. What a big, handsome guy. Funny and cool as hell. He’s a stud and he’s so funny.” Tickets for “Am I Racist?” are on sale NOW! Buy here for a theater near you. The actor was referring to comments Kelce made about the movie on an episode of his own podcast in May. Kelce said he was a “huge fan of the Sandman [Sandler]” and would do “anything” to have a chance to appear in the movie. “I didn’t even know there was a job opening on ‘Happy Gilmore 2.’ I’ll be a f***ing extra… anything to get around Happy Gilmore, an Adam Sandler film or set — count me in,” he said at the time.  Kelce’s brother and podcast co-host, Jason Kelce, shut down the rumors, saying there was “no evidence” the cameo was happening. “[No evidence] other than the movie’s getting made and I’m looking for movie deals,” Travis shot back, Billboard reported. “Who knows? Theories can come true. Theories can be true and people just don’t know about it. I might even be in the talking and nobody knows about it, but I could also not be in the talking. I’ll do anything in the movie. I’ll be part of it any way I possibly can.” WATCH THE TRAILER FOR ‘AM I RACIST?’ — A MATT WALSH COMEDY ON DEI Netflix announced in May that it was moving forward with a sequel to the 1996 golf comedy “Happy Gilmore,” starring Sandler as the titular character. It’s not unprecedented for Kelce to make an appearance, as the original “Happy Gilmore” featured cameos from sports stars and celebrities, including golfer Lee Trevino, sportscaster Verne Lundquist, and former “The Price Is Right” host Bob Barker. Other Sandler productions included stars such as former NFL greats Lawrence Taylor, Michael Irvin, and Dan Marino, along with former professional wrestlers Bill Goldberg, Steve Austin, and Kevin Nash. Kelce, 34, has already dipped his toes into the world of entertainment. He has a role in the upcoming FX horror series “Grotesquerie” and is hosting the Amazon Prime game show reboot “Are You Smarter Than a Celebrity?” The nine-time Pro-Bowler is also in talks to star in the action comedy remake “Loose Cannons.” There is no planned release date for “Happy Gilmore 2.” The highly anticipated sequel is slated to start filming in September. 
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The Lighter Side
The Lighter Side
2 yrs

Miranda Lambert and Husband Brendan McLoughlin’s Romance Had Sweet & “Old-School” Beginnings
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Miranda Lambert and Husband Brendan McLoughlin’s Romance Had Sweet & “Old-School” Beginnings

Not all famous couples begin their relationships in the spotlight. While some meet at fancy galas or on film sets, others have more traditional beginnings. That is the case with Miranda Lambert and her husband, Brendan McLoughlin. This lovestruck duo started with a very old-school romance. Miranda Lambert’s Husband: Where It All Began Instagram Fox News shared that the star opened up on a podcast about her and Brendan’s early days. Miranda Lambert first met her husband on the set of Good Morning America back in 2019. Taste of Country added that Miranda and her band, the Pistol Annies, were there to promote their new album. It was there that she and fellow bandmate Angaleena Presley first spotted Brendan McLoughlin. It is also where they gave him the nickname “hot cop.” From there, the two hatched a plan. They invited Brendan to one of their shows. The catch: They only gave him a single ticket—no plus one for Miranda Lambert’s future husband. On the podcast, Lambert admits, “He came by himself. We met up after, hung out and talked. There wasn’t an agenda… we just talked and kept in touch.” Old School Love When Miranda Lambert said “keep in touch,” most assumed they exchanged emails or phone numbers. However, this star had a different plan. She decided she wanted to be pen pals. Miranda Lambert shared her husband’s reaction to this intimate suggestion. She told Fox News, “We wrote each other literal letters, like old-school. I was like, ‘Do you wanna be pen pals?’ He was like, ‘Letters with a pen?’…He’s eight years younger, so that was really mind-blowing to him.” Despite the age gap and the shock of this old-school romance quiche, Miranda Lambert’s husband agreed to it. Now, they are smitten with one another and happily married. Although they come from different backgrounds—she from Texas and he from New York—the pair have a lot in common. One of Miranda’s favorite things about her husband is that he is not a ‘yes’ person. He will call her out and tell her how things are if he needs to. What a wonderful and romantic way for these two lovebirds to have met, and clearly, it’s a match made in heaven. The source of the featured image can be found here. The post Miranda Lambert and Husband Brendan McLoughlin’s Romance Had Sweet & “Old-School” Beginnings appeared first on InspireMore.
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2 yrs

Frank Luntz Says Harris ‘Had The Best Launch’ In Decades, ‘But That’s Still Not Enough’ To Beat Trump
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Frank Luntz Says Harris ‘Had The Best Launch’ In Decades, ‘But That’s Still Not Enough’ To Beat Trump

'That's still not enough'
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2 yrs

Gene Wilder’s Childhood Home Goes Into Foreclosure After Elon Musk Loaned Millions
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Gene Wilder’s Childhood Home Goes Into Foreclosure After Elon Musk Loaned Millions

'The closing of a very unicorn and beautiful chapter of our lives'
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2 yrs

Republicans Are Taking Their Biggest Branding Advantage For Granted, And It Could Cost Them Dearly
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Republicans Are Taking Their Biggest Branding Advantage For Granted, And It Could Cost Them Dearly

I know Trump doesn't drink. But it's time for him to crack open a cold one
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The Lighter Side
The Lighter Side
2 yrs

Stray Pup Chases a Doggie Day-Care Bus and Gets Adopted
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Stray Pup Chases a Doggie Day-Care Bus and Gets Adopted

A determined Lab has found a new home in Georgia after galloping alongside a doggie daycare bus until he won over the driver and found a new home. In Franklin County, the story begins when the driver of the ‘pup bus’ was doing his rounds to bring clients’ dogs to daycare. Coming to a house […] The post Stray Pup Chases a Doggie Day-Care Bus and Gets Adopted appeared first on Good News Network.
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SciFi and Fantasy
SciFi and Fantasy  
2 yrs

Here’s Guillermo del Toro’s Gothic Reading Starter Pack
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Here’s Guillermo del Toro’s Gothic Reading Starter Pack

News Guillermo del Toro Here’s Guillermo del Toro’s Gothic Reading Starter Pack Is Frankenstein Gothic? Guillermo del Toro isn’t sure on that score. By Vanessa Armstrong | Published on August 21, 2024 Screenshot: Legendary Pictures Comment 0 Share New Share Screenshot: Legendary Pictures Guillermo del Toro knows Gothic. The writer-director’s films almost all have some of that ethos, with Crimson Peak (pictured above) being a full-on Gothic experience. In a recent interview with Vulture, del Toro talked about many things, including the Gothic fiction he’s read that has informed his artistic perspective. “I guess I started reading it really, really early, because some people consider Mary Shelley’s Frankenstein to be Gothic. I would take a little bit of exception to that, but it doesn’t matter,” del Toro said, adding that by the time he was 11 or 12, he’d already read lots of Jane Austen as well as The Monk by Gregory Lewis and 1764’s The Castle of Oranto by Horace Walpole. While he was still young, the Gothic novels by Ann Radcliffe became available in Mexico, and del Toro inhaled them. “I got addicted to the sort of askew cemetery poetry of those novels, their exoticism and all the coruscated romances,” he shared. Other works that the director touted include the 1864 novel Uncle Silas by J. Sheridan Le Fanu, which was adapted into a film that he called “one of the great masterpieces.” He also praised the works of Daphne du Maurier. “In her short stories, there are many more elements that cross into the uncanny, at least. Rebecca is atmospheric and is haunted by an absence, which does not completely qualify it as a Gothic romance, but there are elements of it in the work.” Unfortunately, del Toro wasn’t asked to expand on why he doesn’t think that Mary Shelley’s Frankenstein is Gothic. He did say, however, that his upcoming film, Frankenstein, would be quite Gothic indeed. [end-mark] The post Here’s Guillermo del Toro’s Gothic Reading Starter Pack appeared first on Reactor.
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SciFi and Fantasy
SciFi and Fantasy  
2 yrs

Read an Excerpt From Chelsea Iversen’s The Peculiar Garden of Harriet Hunt
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Read an Excerpt From Chelsea Iversen’s The Peculiar Garden of Harriet Hunt

Excerpts Historical Fantasy Read an Excerpt From Chelsea Iversen’s The Peculiar Garden of Harriet Hunt True magic is found among the bluebells and brambles By Chelsea Iversen | Published on August 21, 2024 Comment 0 Share New Share We’re thrilled to share an excerpt from The Peculiar Garden of Harriet Hunt by Chelsea Iversen, a new historical fantasy out from Sourcebooks Landmark on December 3rd. Harriet Hunt is completely alone. Her father disappeared months ago, leaving her to wander the halls of Sunnyside house, dwelling on a past she’d rather keep buried. She doesn’t often venture beyond her front gate, instead relishing the feel of dirt under her fingernails and of soft moss beneath her feet. Consequently, she’s been deemed a little too peculiar for popular Victorian society. This solitary life suits her fine, though—because, outside, magic awaits.Harriet’s garden is special. It’s a wild place full of twisting ivy, vibrant plums, and a quiet power that buzzes like bees. Caring for this place, and keeping it from running rampant through the streets of her London suburb, is Harriet’s purpose. But a woman alone in the world is vulnerable. Soon, a sinister plot involving her father’s disappearance begins to take shape, with Harriet herself at its center. Everything she holds dear—from the thorny roses she tends to her very freedom itself—is at stake. To save herself, Harriet will have to unearth her past, discover the secrets of her garden, and finally embrace the wild magic inside of her. The man in the round hat arrived an hour or so later, while Harriet sat beneath the plum tree, rereading the same passage from last month’s issue of Gardener’s Chronicle, wondering about garden ferns and, for the hundredth time, whether she would ever invest in a greenhouse. If she did not have to tend to this garden, if she could live where she wanted and create a home of her own, what would her garden look like? She often imagined trees. Dozens of them. Of course, she would need more space for that. A place out in the country with sparrows and forget-­me-­nots and evening primrose. She thought she would like a greenhouse. The purpose of such a structure would be to have summer blooms in winter, and vegetables if the conditions were right, and it would be wonderful to have fresh summer roses all year long. But, of course, all these thoughts were pointless. She must remain here. This garden was hers, and without her—­ “Mr. Hunt?” An unfamiliar voice roused her from her thoughts. It was the nasally twang of a busy man, and she heard a faint rap at the door around the front of the house. Harriet remained unmoving, hoping that her silence would encourage him to leave promptly. She was acutely aware that the silver-­lavender roses at the corner of the front garden, just next to the hawthorn, perked up at the sound, swiveling to face the front gate. The man rounded the corner and spotted her all the way at the back, sitting beneath the plum tree. His small legs carried him over to her so quickly, she barely had the chance to cover her exposed toes, which rested naked over the moss, as they often did when she sat outside. She could feel the garden’s attention buzz to life all around her, the roses standing pert and cautious. This small signal was enough to put Harriet on edge. “I am looking for Mr. Hunt.” Buy the Book The Peculiar Garden of Harriet Hunt Chelsea Iversen Buy Book The Peculiar Garden of Harriet Hunt Chelsea Iversen Buy this book from: AmazonBarnes and NobleiBooksIndieBoundTarget The man wore a thin mustache, which curled up at the ends quite intentionally. He had a short but sturdy stance to him, like he wouldn’t necessarily instigate a scuffle but was ready for one at any moment. “It is quite urgent that I speak with him,” he said when she did not respond. Harriet fidgeted, aware of ivy snaking subtly along the edges of the house, which she could see behind him. She willed the garden to be at ease as she laced up her boots beneath the cover of her skirts. Her fingers grazed a pointed corner of something in her pocket. The letter. She wondered if the man in front of her could be a debtor who was fed up with her silence and had finally come to collect what he was owed. Out of the corner of her eye, she caught a nest of thorns separating itself from the garden wall and billowing forward, ever so slightly, growing inch by inch, sharpening in the glinting sunlight that muscled through the clouds. She let a small nervous laugh escape her. The plants had become more and more unruly the more time she spent here by herself. She feared it would take some strain to keep them in check. The man frowned deeply. “Is he within?” Finally, boots secured, Harriet stood, wobbling slightly. She had a small height advantage that made the man take an involuntary step back, and the wrinkles on his forehead creased dramatically as he cleared his throat and stood up straighter. She dipped her shoulders so she would appear smaller and smiled weakly, still without speaking. More than half a year had passed since her father had disappeared, and the debt seemed to be mounting higher every day. Harriet had been naive enough think that if she ignored all their inquests, they would eventually stop harassing her and simply accept that he was gone—­that they would give up. Naive indeed. “He is not within, Mr.—­” she said with a shake in her voice. A thick, momentary silence followed. “Inspector Stokes,” he said firmly. Harriet was thrown for a moment. Inspector. So, he was not here to collect on debts after all. Her vision caught on his blue uniform and white striped cuffs. Of course. She should have put it together before. He was reading her carefully, she noticed now. “He has not been within for more than seven months,” she managed. “My father has left the country.” “I see.” He raised his eyebrows. “Have you any idea where he is, exactly?” She did have some idea. He had run off to Denmark to live with his wealthy cousin, no doubt, as he had threatened to do many times before. It seems he was keen to avoid debtors’ prison, though he did not think of what would happen to her in his absence. Or perhaps, more accurately, he did not care. It hadn’t been a surprise to Harriet that he had left, in the end. Not really. The only surprise was that he did not send her away to the asylum before he left, as he had also threatened to do many times before. She tried not to fidget. “Denmark, I think, Mr. Stokes—­Inspector Stokes—­” Was it just her imagination or was he narrowing his eyes at her? “Denmark.” He rubbed at his dimpled chin with stubby fingers. “Curious.” From what she could glean, the man did not, in fact, think it curious at all. He appeared to have made up his mind on the matter. And those eyes. They told Harriet that he wanted to pry something from her. “Tell me—­Miss Hunt, I presume?” Harriet nodded. “How did you and your father leave things the last time you saw him? Did he seem agitated?” Heat rushed to her face. The last time she saw her father, the night had been frigid. He’d stood in the threshold, barring her from escaping to the garden, which Harriet watched rise behind him like a thundercloud before he kicked the door closed and dragged her by the arm up the stairs, his fingernails slicing into her flesh. His shouts were manic. Unhinged. She had flinched when he raised a hand, but he’d only tugged at his hair so that it stuck straight up like horns. His eyes bulged red and unseeing. This time, when he threatened her, she’d gone cold, sensing some finality in his words. Locked inside her room, she’d tried to pry open the window, but, of course, he had jammed that shut too. She’d heard him thunder down the stairs and throw open the door. The silence that followed echoed throughout the empty house. Harriet had still been shaking, back pressed against the wall, fingers digging into her scalp, an hour later, maybe two. She’d clutched a candlestick in her hand, waiting for him to come back, to try to take her away. But he hadn’t come back at all. “I—we had an argument.” Stokes raised an eyebrow. “It was brief, and then he was gone.” Stokes tapped his fingers against his trouser leg. “Can I ask, what is in Denmark?” She shook her head. “He has a cousin there, I think.” “His name?” He pulled out a small piece of paper to capture her words in ink. Harriet shook her head again. “I don’t know…” “Hmm.” He dropped his hands to his sides and tipped his head slightly, never taking his eyes off her. “Not close with your father’s family then?” “No.” Other than an unnamed cousin referenced when her father was particularly incensed, she didn’t think he had any family. The only kin she had ever known was her cousin Eunice—­a second cousin, really—­and she was related on her mother’s side. Harriet could sense Stokes’s gaze on her. She didn’t like the way it made her feel. Like a liar, somehow. She wished she knew what exactly he wanted. She suddenly noticed the thorns peeling away from the garden wall, creeping up behind Stokes at shoulder level. Her eyes widened, and she tried to breathe slowly—­hoping that the plants would sense her calm—­but she could only manage quick, shallow breaths. She stared down the brambles, and the spindly arms paused, appearing to decide something. Stokes swiveled around to see what she was looking at, but thankfully, the thicket had eased back against the garden wall, just in time. Seeing nothing amiss, he turned slowly to face Harriet. She tried to force a confident, polite smile though she could feel the sweat—­simultaneously hot and cold—­collecting at the back of her neck. Harriet chanced a reluctant glance behind his other shoulder, worried that she would see watchful vines wriggling and curious rose blooms craning their necks to see what was to come. Inspector Stokes turned again. All was still. The house stood weakly behind the vines, like a drunkard leaning into the arms of a steady companion. The ivy pressed up innocently against the house and the roses looked perfectly demure. Though when the man turned his back on the house again, they peeled themselves out of their stillness and began to hover. Stop it, she mouthed at the vines. They did not retreat. Instead, she saw the ivy twisting and curling overhead, gathering momentum. Don’t you dare. Stokes was looking at her. “Your neighbors say you have a history of… strange behavior, Miss Hunt.” He punctuated the word strange. She pulled her eyes from the garden, her attention snagging on his tone. He had spoken to the neighbors, then. About her. She could feel him searching her, as if she were an interesting object, a curiosity, or something even more rare. Stokes looked her up and down with squinting eyes, as if bringing her stained dress and mussed-­up hair into focus. “Where did you get that scar?” She blinked to bring him into focus now too. There was a flash in his eyes that made her pause. Was it contempt? No, she knew quite clearly what that looked like. It was more like cunning. She could not pinpoint it, exactly, but it made her skin prickle. It also made the thorns on the cabbage roses thicken and sharpen. The garden had sensed it too, then. “It’s from when I was a girl.” Hearing a rustling behind her, Harriet took a panicked sidestep toward the front garden, hoping he would turn away from the roses. The pale blossoms of the Madame Audots bobbed, leaned in, listened. Thankfully, Stokes swiveled to follow her. She closed her eyes tightly, willing the garden to relax. Stop it. Stop it. Stop it, she mouthed silently again. “Have you been living here alone, Miss Hunt?” Stokes asked. Harriet barely heard him. Leave it, she muttered through clenched teeth, her eyes still on the roses. The advancing stems hesitated, and she dipped her face to try to hide her hard glare. After a beat, which felt surreally like disappointment, the garden subsided, and she watched the flowers settle back into place. “Miss Hunt.” His impatience was unveiled now, as if he were addressing an unmanageable child. “Sorry?” A single bead of sweat dripped down Harriet’s back, but she let her shoulders release. “Who supports you? How are you able to live here on your own, a young woman, with no husband or father?” He had his pen and paper out again. Now that the garden was still, she could finally think. Who supported her? She supported herself. What choice did she have? A monthly trip to the pawnbrokers was how she had gotten by so far, but she would soon run out of carpets, dishes, trinkets, ornaments, candlesticks, and her mother’s jewelry—­all of it. Thankfully, she had convinced her landlord to allow monthly, rather than annual payments. Her father had been quite fond of expensive things, for better or worse, and it had been helpful for the past several months, but by now, the interior of the house was all but bare. Just a few necessities remained in Harriet’s possession: one chair in the parlor, a breakfast table, a few dishes given to her by Eunice, a worn-­down, old-­fashioned kitchen table. There was the Dutch clock in the front passage, which was lacquered oak and brass, and which she would be happy to be rid of—­but the glass face was cracked. She was sure it would sell for very little. And of course, there was the lovely Henry Pickering landscape hanging in the parlor, which she hoped would be worth a fair amount should she need it, but it was the one thing in the house she didn’t mind looking at. As she stared back at the man’s small eyes and curled-­up whiskers, heat crept up Harriet’s neck. She wondered if she should tell him about the debtors. Perhaps that would explain her father’s absence better. It might at least stop him from looking at her that way. “Did he explicitly tell you he was going to Denmark when he left?” The shift back to the subject of her father shook her. Perhaps Stokes had already made up his mind about how Harriet supported herself. “Well, no. But—­” “And did he tell anyone else about his travel plans?” “I don’t know. I—­” “And did you ever wonder where he was? Why he didn’t come back?” Harriet’s muscles went rigid. “You see, it’s strange. His colleagues say that he has never mentioned any relations at all. No cousin in Denmark. No sister in Spain. No wife in Wapping. And no daughter in Upper Holloway. Now, why would that be?” The moss at Harriet’s feet suddenly radiated heat, friction mounting between her boots and the ground. She knew exactly why that would be. She shifted from one foot to the other and back again, swallowing her retort. She wished he would just leave. All around her, she could feel the rapt attention of each plant—­each bud, each leaf. Fingers of ivy lifted off the wall above them, quivering with tension. Thorns resumed sharpening their points, and roses widened their blossoms. These were the small signs of battle preparation that Harriet feared. The garden was waiting, ready to act in her defense, but she could not afford to let it go wild. Not now. She watched anxiously, pinching the skin of her forearm to try to regain some control. She forced herself to look back at his face, knowing that if she kept staring at her garden beyond his shoulder, he would turn and see what she saw. But he did not seem to care about the garden. Instead, he was watching her, a dark expression written on his face. Realization prodded at her. She needn’t fear looking mad in front of this man. To him, she was already suspicious. “We were not often in accord,” she said breathlessly, feeling suddenly cornered. “But there have been letters—­” “Letters, yes, of course,” he said, his words snipped. “Well, I will look further into this journey to—­where did you say?” He was trying to trip her up, to catch her in a lie. “Denmark,” she said with a small degree of defiance. She was not lying, and she did not want to look like she was. “Denmark,” he said, snapping his fingers. “That’s right.” He tipped his hat and cast out his next words slowly, dangerously, like a fisherman with a hook, hoping to catch on something. Excerpted from The Peculiar Garden of Harriet Hunt, copyright © 2024 by Chelsea Iversen. The post Read an Excerpt From Chelsea Iversen’s <i>The Peculiar Garden of Harriet Hunt</i> appeared first on Reactor.
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