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28 w

‘I’m Not Surprised’: CNN Legal Analyst Says Jury Had ‘Two Good Reasons’ To Acquit Daniel Penny
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‘I’m Not Surprised’: CNN Legal Analyst Says Jury Had ‘Two Good Reasons’ To Acquit Daniel Penny

'Plenty of issues'
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28 w

Daniel Penny May Have Been Acquitted, But The Bad Guys Still Won In Manhattan
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Daniel Penny May Have Been Acquitted, But The Bad Guys Still Won In Manhattan

A chilling effect on good samaritans...
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28 w

Police Detain Person Of Interest In Assassination Of UnitedHealthcare CEO: REPORT
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Police Detain Person Of Interest In Assassination Of UnitedHealthcare CEO: REPORT

The person of interest is being held for questioning
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28 w

Whoopi Goldberg Spars With Fellow Co-Host As She Tells People Not To ‘Panic’ About Trump
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Whoopi Goldberg Spars With Fellow Co-Host As She Tells People Not To ‘Panic’ About Trump

'We don't know what we're panicking for'
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SciFi and Fantasy
SciFi and Fantasy  
28 w

The Golden Globes Recognize Everything from Dune 2 to Agatha All Along
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The Golden Globes Recognize Everything from Dune 2 to Agatha All Along

News Golden Globes The Golden Globes Recognize Everything from Dune 2 to Agatha All Along May the best witch win By Molly Templeton | Published on December 9, 2024 Comment 0 Share New Share It’s quite a year for SFF at the Golden Globes. Almost every category has something for genre fans, from the expected (Wicked) to the animated (The Wild Robot) to the surprisingly barely-recognized (a single nomination for House of the Dragon, for Emma D’arcy). It’s a treat to see Kathryn Hahn nominated for Agatha All Along; it sort of follows in the footsteps of WandaVision’s stars also getting nominated for their season. Wicked has just four nominations—for Cynthia Erivo, Ariana Grande, best picture, and the bothersome “Cinematic and Box Office Achievement” category—and no nod for director John M. Chu. It has one fewer nomination than The Substance, which has nominations for stars Demi Moore and Margaret Qualley, two for writer-director Coralie Fargeat, and one for best picture (musical or comedy). Fargeat is one of two women nominated for best director; she’s joined by Payal Kapadia, director of All We Imagine as Light. Kate Winslet is nominated for best actress twice, for the film Lee and the satirical series The Regime. True Detective: Night Country was nominated for 19 Emmys but took home a single win, for Jodie Foster; she’s nominated here alongside costar Kali Reiss, and the series is up for an award overall, too. Nominations for The Penguin’s Colin Farrell and Cristin Milioti come as little surprise; some slightly less predictable contenders include Hugh Grant for Heretic, Jesse Plemons for Kinds of Kindness (the film’s only nomination) and Keira Knightley for the just-released Black Doves (though her equally excellent costar, Ben Whishaw, didn’t get a nod). (ed. note: MUPPET FLAIL for Conclave and The Brutalist.) The full list of nominees is below. Best Motion Picture – DramaThe BrutalistA Complete UnknownConclave Dune: Part Two Nickel Boys September 5  Best Motion Picture – Musical or ComedyAnora Challengers Emilia Pérez A Real Pain The Substance Wicked Best Motion Picture – AnimatedFlow Inside Out 2 Memoir of a Snail Moana 2 Wallace & Gromit: Vengeance Most Fowl The Wild Robot  Cinematic and Box Office AchievementAlien: RomulusBeetlejuice BeetlejuiceDeadpool & Wolverine Gladiator IIInside Out 2 TwistersWicked The Wild Robot  Best Motion Picture – Non-English LanguageAll We Imagine as Light – USA / France / IndiaEmilia Pérez – FranceThe Girl With the Needle – Poland / Sweden / DenmarkI’m Still Here – BrazilThe Seed of the Sacred Fig – USA / GermanyVermiglio – Italy Best Performance by a Female Actor in a Motion Picture – DramaPamela Anderson (The Last Showgirl)Angelina Jolie (Maria)Nicole Kidman (Babygirl)Tilda Swinton (The Room Next Door)Fernanda Torres (I’m Still Here)Kate Winslet (Lee) Best Performance by a Male Actor in a Motion Picture – DramaAdrien Brody (The Brutalist)Timothée Chalamet (A Complete Unknown)Daniel Craig (Queer)Colman Domingo (Sing Sing)Ralph Fiennes (Conclave)Sebastian Stan (The Apprentice) Best Performance by a Female Actor in a Motion Picture – Musical or ComedyAmy Adams (Nightbitch)Cynthia Erivo (Wicked)Karla Sofía Gascón (Emilia Pérez)Mikey Madison (Anora)Demi Moore (The Substance)Zendaya (Challengers) Best Performance by a Male Actor in a Motion Picture – Musical or ComedyJesse Eisenberg (A Real Pain)Hugh Grant (Heretic)Gabriel Labelle (Saturday Night)Jesse Plemons (Kinds of Kindness)Glen Powell (Hit Man)Sebastian Stan (A Different Man) Best Performance by a Female Actor in a Supporting Role in Any Motion PictureSelena Gomez (Emilia Pérez)Ariana Grande (Wicked)Felicity Jones (The Brutalist)Margaret Qualley (The Substance)Isabella Rossellini (Conclave)Zoe Saldaña (Emilia Pérez) Best Performance by a Male Actor in a Supporting Role in Any Motion PictureYura Borisov (Anora)Kieran Culkin (A Real Pain)Edward Norton (A Complete Unknown)Guy Pearce (The Brutalist)Jeremy Strong (The Apprentice)Denzel Washington (Gladiator II) Best Director – Motion PictureJacques Audiard (Emilia Pérez)Sean Baker (Anora)Edward Berger (Conclave)Brady Corbet (The Brutalist)Coralie Fargeat (The Substance)Payal Kapadia (All We Imagine as Light) Best Screenplay – Motion PictureJacques Audiard (Emilia Pérez)Sean Baker (Anora)Brady Corbet, Mona Fastvold (The Brutalist)Jesse Eisenberg (A Real Pain)Coralie Fargeat (The Substance)Peter Straughan (Conclave) Best Original Score – Motion PictureVolker Bertelmann (Conclave)Daniel Blumberg (The Brutalist)Kris Bowers (The Wild Robot)Clément Ducol, Camille (Emilia Pérez)Trent Reznor, Atticus Ross (Challengers)Hans Zimmer (Dune: Part Two) Best Original Song – Motion Picture“Beautiful That Way” – The Last Showgirl; music & lyrics by Andrew Wyatt, Miley Cyrus, Lykke Zachrisson“Compress / Repress” – Challengers; music & lyrics by Trent Reznor, Atticus Ross, Luca Guadagnino“El Mal” – Emilia Pérez; music & lyrics by Clément Ducol, Camille, Jacques Audiard“Forbidden Road” – Better Man; music & lyrics by Robbie Williams, Freddy Wexler, Sacha Skarbek“Kiss The Sky” – The Wild Robot; music & lyrics by Delacey, Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi“Mi Camino” – Emilia Pérez; music & lyrics by Clément Ducol, Camille Best Television Series – DramaThe Day of the Jackal (Peacock)The Diplomat (Netflix)Mr. & Mrs. Smith (Prime Video)Shogun (FX/Hulu)Slow Horses (Apple TV+)Squid Game (Netflix) Best Television Series – Musical or ComedyAbbott Elementary (ABC)The Bear (FX/Hulu)The Gentlemen (Netflix)Hacks (HBO/Max)Nobody Wants This (Netflix)Only Murders in the Building (Hulu) Best Television Limited Series, Anthology Series or Motion Picture Made For TelevisionBaby Reindeer (Netflix)Disclaimer (Apple TV+)Monsters: The Lyle and Erik Menendez Story (Netflix)The Penguin (HBO/Max)Ripley (Netflix)True Detective: Night Country (HBO/Max) Best Performance by a Female Actor in a Television Series – DramaKathy Bates (Matlock)Emma D’arcy (House of the Dragon)Maya Erskine (Mr. & Mrs. Smith)Keira Knightley (Black Doves)Keri Russell (The Diplomat)Anna Sawai (Shogun) Best Performance by a Male Actor in a Television Series – DramaDonald Glover (Mr. & Mrs. Smith)Jake Gyllenhaal (Presumed Innocent)Gary Oldman (Slow Horses)Eddie Redmayne (The Day of the Jackal)Hiroyuki Sanada (Shogun)Billy Bob Thornton (Landman) Best Performance by a Female Actor in a Television Series – Musical or ComedyKristen Bell (Nobody Wants This)Quinta Brunson (Abbott Elementary)Ayo Edebiri (The Bear)Selena Gomez (Only Murders in the Building)Kathryn Hahn (Agatha All Along)Jean Smart (Hacks) Best Performance by a Male Actor in a Television Series – Musical or ComedyAdam Brody (Nobody Wants This)Ted Danson (A Man on the Inside)Steve Martin (Only Murders in the Building)Jason Segel (Shrinking)Martin Short (Only Murders in the Building)Jeremy Allen White (The Bear) Best Performance by a Female Actor in a Limited Series, Anthology Series or a Motion Picture Made for TelevisionCate Blanchett (Disclaimer)Jodie Foster (True Detective: Night Country)Cristin Milioti (The Penguin)Sofía Vergara (Griselda)Naomi Watts  (Feud: Capote Vs. The Swans)Kate Winslet (The Regime) Best Performance by a Male Actor in a Limited Series, Anthology Series or a Motion Picture Made for TelevisionColin Farrell (The Penguin)Richard Gadd (Baby Reindeer)Kevin Kline (Disclaimer)Cooper Koch (Monsters: The Lyle and Erik Menendez Story)Ewan McGregor (A Gentleman in Moscow)Andrew Scott (Ripley) Best Performance by a Female Actor in a Supporting Role on TelevisionLiza Colón-Zayas (The Bear)Hannah Einbinder (Hacks)Dakota Fanning (Ripley)Jessica Gunning (Baby Reindeer)Allison Janney (The Diplomat)Kali Reis (True Detective: Night Country) Best Performance by a Male Actor in a Supporting Role on TelevisionTadanobu Asano (Shogun)Javier Bardem (Monsters: The Lyle and Erik Menendez Story)Harrison Ford (Shrinking)Jack Lowden (Slow Horses)Diego Luna (La Máquina)Ebon Moss-Bachrach (The Bear) Best Performance in Stand-Up Comedy on TelevisionJamie Foxx (Jamie Foxx: What Had Happened Was)Nikki Glaser (Nikki Glaser: Someday You’ll Die)Seth Meyers (Seth Meyers: Dad Man Walking)Adam Sandler (Adam Sandler: Love You)Ali Wong (Ali Wong: Single Lady)Ramy Youssef (Ramy Youssef: More Feelings) The post The Golden Globes Recognize Everything from <i>Dune 2</i> to <i>Agatha All Along</i> appeared first on Reactor.
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28 w

Teyonah Parris Is the Latest Star to Buckle Up for the Matchbox Cars Movie
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Teyonah Parris Is the Latest Star to Buckle Up for the Matchbox Cars Movie

News Matchbox Teyonah Parris Is the Latest Star to Buckle Up for the Matchbox Cars Movie The real treasures were the cars we made vroom sounds with along the way By Molly Templeton | Published on December 9, 2024 Comment 0 Share New Share The Matchbox cars movie is coming whether you like it or not. First it came for John Cena; then, Jessica Biel and Sam Richardson signed on. If you are now trying to figure out what sort of Matchbox car each of these actors would best personify, I’m right there with you. But something else appears to be afoot in this film. According to The Hollywood Reporter, it is “an action-packed, globetrotting adventure and centers on a group of childhood friends who must work together to stop an impending worldwide disaster and rediscover their friendship along the way.” So… will they drive cars? Is this a quiet and children’s-toy branded attempt to create a franchise to rival the Fast and Furious films? What does Vin Diesel think about this? At any rate, the latest addition to what we can only assume will soon be a new MCU (Matchbox Cinematic Universe) is Monica Rambeau herself: Teyonah Parris, who along with her Marvel appearances (in WandaVision and The Marvels, pictured above) also starred in They Cloned Tyrone, Dear White People, and Candyman. Matchbox comes to us unbidden from director Sam Hargrave, who made the unfortunate Extraction for Netflix, and writers David Coggeshall (Orphan: First Kill) and Jonathan Tropper (the creator of Warrior, and also a novelist). Tropper’s involvement is the most interesting thing happening behind the camera; it’s basically impossible not to think of how Mattel brought arty Greta Gerwig on to make millions out of Barbie. It remains to be seen if tiny toy cars can be made to create the same magic.[end-mark] The post Teyonah Parris Is the Latest Star to Buckle Up for the Matchbox Cars Movie appeared first on Reactor.
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28 w

Babylon 5 Rewatch: “Acts of Sacrifice”
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Babylon 5 Rewatch: “Acts of Sacrifice”

Column Babylon 5 Rewatch Babylon 5 Rewatch: “Acts of Sacrifice” Ivanova handles a delicate diplomatic situation, while Mollari discovers his newfound power and influence comes with a price… By Keith R.A. DeCandido | Published on December 9, 2024 Credit: Warner Bros. Television Comment 0 Share New Share Credit: Warner Bros. Television “Acts of Sacrifice”Written by J. Michael StraczynskiDirected by Jim JohnstonSeason 2, Episode 12Production episode 212Original air date: February 22, 1995 It was the dawn of the third age… We open on a battle between the Narn and the Centauri. A Narn heavy cruiser opens a jump gate to retreat, as the Centauri are kicking their asses, but then they detect a civilian ship being attacked by the Centauri. The cruiser runs interference to allow the civilians to escape through the gate, sacrificing themselves in the bargain. Cut to B5, where G’Kar is showing the footage of the battle to Sheridan and his senior staff by way of asking for Earth’s support. The Centauri promised not to target civilians, and this is a very straightforward breaking of that promise. Mollari was supposed to be in this meeting, but refused to attend, saying only that the transport ships they fired on had weapons, not civilians. As lies go, it’s pretty transparent, and nobody in the room believes it. Sheridan can’t promise anything, but he’ll talk to his superiors on Earth. G’Kar says that’s all he asks. If Earth Alliance supports the Narn, he’s sure the other powers will fall into line. A Lumati ship is arriving at B5, with an emissary who will be exploring the possibility of the Lumati becoming allies with Earth, maybe even joining the League of Non-Aligned Worlds. Because Sheridan is too busy dealing with Narn-Centauri issues, he delegates the task of playing diplomat with the Lumati to Ivanova. Sheridan tells Ivanova to do whatever it takes to get the Lumati on board, an order that you just know will bite everyone on the ass before the episode’s over… G’Kar makes the same appeal to Delenn that he made to Sheridan: requesting support. However, Delenn is less optimistic about her government’s willingness to help than Sheridan is. The Minbari nearly committed genocide in their last war, and it will take a lot for them to go to war again. Also, G’Kar has often plotted and schemed against the Centauri and sworn to wipe them out. In a few years, will Mollari or some other Centauri be asking for Minbari support against Narn aggression? Allan has to break up a fight in the casino between a group of dudebro Centauri boasting about Centauri victories against the Narn and a group of Narn who don’t appreciate that. Two Lumati arrive and are greeted by Ivanova. One is Correlimurzon, the actual diplomat. The other is Taq, his aide. The pair have a telepathic link, and Taq speaks for Correlimurzon, as it would be a loss of face if the diplomat spoke directly to an inferior race. So that’s going well. Mollari has a meeting with a Centauri merchant, who wants a favor and is willing to do Mollari any number of favors in return. He is obviously the latest in a series, and after Mollari dismisses him, he tells Vir to keep the rest away until tomorrow. He is disgusted with the fact that the same people who barely acknowledged his existence a year ago now are sucking up to him, like he’s a wishing well with legs. Credit: Warner Bros. Television Another fight breaks out between the Centauri dudebros and the pissed-off Narn, this time in a corridor. Again, Allan has to break it up, but one Narn refuses to drop his weapon when Allan orders him to, and Allan is forced to shoot him. G’Kar is livid, but so is Sheridan. B5 is neutral territory, and crap like this makes it that much harder to convince EarthDome to support the Narn. Ivanova’s tour of B5 takes the Lumati to medlab, where Correlimurzon is appalled to see that they treat inferior species, as that interferes with evolution. Franklin is equally appalled by the Lumati’s callous attitude. In the casino, Mollari sees Garibaldi and invites him over, handing him a bag of money. It’s repayment for all the times Garibaldi loaned him money when he was running short. Garibaldi is less than enthusiastic about that or, indeed, about even talking to Mollari. For his part, Mollari is enjoying good fortune for the first time in a long time, and the only real friend he has to share it with is Garibaldi, to whom he offers a “chemically inoffensive” drink. Relenting only slightly, Garibaldi makes a half-hearted promise to come back and share that drink with him when he’s off-duty. Spoiler alert: he never makes it. G’Kar appeals to the Narn on the station to avoid violence, as that only makes it harder to recruit allies. The Narn agree, but it’s a rectal infusion of smoke, as the moment he leaves, they drag the Centauri dudebro out, tied and gagged, and stab him to death, leaving his body where it will be found. Later, we see Franklin doing the autopsy on the Centauri dudebro. While there’s no definitive proof of who stabbed him to death, it’s pretty obvious that it was a pissed-off Narn. Sheridan tells Garibaldi to hold off on telling Mollari. He’ll need to know eventually, but right now, it’ll just make matters worse. The Lumati show up unannounced to Ivanova’s quarters, with Ivanova trying and failing to explain the concept of privacy to them. While Correlimurzon shows an unhealthy interest in Ivanova’s clothing, he also states that Ivanova has only shown him the good parts of the station. They want to see everything. Ivanova demands that he stop pawing her things and offers to take him anywhere he wants. Naturally, he wants to go to downbelow. Sheridan is disappointed to learn from Liaison Officer Franke that EarthDome will not be providing support for the Narn. They’re staying out of the conflict. Sheridan then contacts Delenn, and the pair of them work out a plan to surreptitiously rescue Narn civilians from the war zone, and also to get food and medical supplies to them—mostly leftovers that would be disposed of or otherwise not missed. Delenn agrees. Credit: Warner Bros. Television Na’Toth sees the Narn gang buying Drazi blades and figures out what’s up, which she reports to G’Kar. For his part, G’Kar immediately goes to confront the Narn, Na’Toth backing him up. G’Kar challenges the leader of the Narn gang to combat, because that always seems to work for some stupid reason, and G’Kar beats him handily. (Na’Toth at one point has to stop another Narn from shooting G’Kar in the back.) The Narn agree to stand down, though the ringleader manages to stab G’Kar with a poisoned blade. G’Kar knocks him out, then walks out under his own power, not letting Na’Toth help him until they’re out of sight. Ivanova explains about the lurkers to Correlimurzon: that they’re people who came to the station hoping for work and/or a better life, they failed to get either, and didn’t have the money to buy passage elsewhere, so they eke out their lives down here. Correlimurzon is impressed with the humans’ good sense to isolate their undesirables down here, away from everyone else, so they can’t pollute the gene pool. Ivanova tries to explain that that’s not the case, but it’s enough so that Correlimurzon is finally willing to speak to Ivanova directly, saying that there will be an alliance. She later meets with them in the captain’s office to sign the alliance agreement, but Ivanova is gobsmacked to learn that the Lumati seal such alliances with sex. Correlimurzon starts to take his robes off right there in the captain’s office, making it clear that they really really don’t get privacy. Ivanova makes an excuse to leave and promises to seal the deal later. Na’Toth turns the Narn ringleader over to Garibaldi, promising that he’ll confess to killing the Centauri dudebro. Garibaldi arrests him, but is worried about how Mollari will react. Ivanova discusses her dilemma with Franklin. She really doesn’t want to have sex with Correlimurzon, obviously, but she already told Sheridan that it was a done deal, and she has no idea what to do—at least until Franklin offhandedly mentions that the Lumati don’t know anything about human anatomy, which gives her an idea. G’Kar, barely recovered from being stabbed, goes to meet with Sheridan and Delenn. Hopeful that they will tell him that their governments will support the Narn Regime, he is instead devastated to learn that they won’t. At first, Sheridan and Delenn’s alternate plan to provide covert aid to the civilian victims of the war is met with dismissive annoyance by G’Kar, but he puts a brave face on and thanks the captain and the ambassador. Once he leaves the meeting, he breaks down with both laughter and tears. Ivanova invites the Lumati to her quarters. She says she wants to have sex the human way, but then demurs, figuring that Correlimurzon wouldn’t be able to handle it. As expected, the Lumati claims he can handle anything the humans can, and says he’ll do it her way. So Ivanova does an interpretive dance all around Correlimurzon, while scatting and uttering various 1990s relationship clichés. Correlimurzon is nonplussed, but agrees to sign the treaty. He leaves. Taq stays behind a moment to shake Ivanova’s hand and give her a smile that makes it clear that he knows exactly what she did, even if his boss doesn’t, and also leaves. Credit: Warner Bros. Television Sheridan and Garibaldi go to Mollari, who surprises them by not making a public fuss. He says that the Centauri dudebro is a known pain in the ass, and has no family, and no one will miss him. If the Narn is extradited to the Centauri, his possessions and assets seized and auctioned to support the Centauri war effort, that will be enough. Sheridan congratulates Ivanova on a successful negotiation. He also passes on a gift to Ivanova that Correlimurzon left for her. It includes a card that says, “Next time, my way.” Garibaldi heads to the casino, and finally joins Mollari for the drink. Garibaldi is both surprised and grateful that Mollari did what he could not to escalate the situation with the Narn and the dead Centauri dudebro. Mollari says he’s happy to help his friend, even if he is that for only a little while. Get the hell out of our galaxy! Sheridan is, to his credit, unhesitating in his support of the Narn, and the nanosecond EarthDome turns him down, he goes to Delenn to find an alternative method of supporting them. Ivanova is God. Ivanova comports herself well on her diplomatic mission, succeeding in completing it successfully despite the apparent requirement for non-consenting sex… The household god of frustration. Garibaldi finally gets paid back by Mollari for all the times he staked him when he was on a losing streak. It takes a bit for him to be genuinely grateful, with good reason. If you value your lives, be somewhere else. Delenn, notably, does not mention to G’Kar another reason why the Minbari might not help the Narn: Delenn herself has seen her influence reduced considerably. Once she might have been able to command the resources to help the Narn all on her own, but those days are now gone. In the glorious days of the Centauri Republic… Mollari’s days apparently now include an endless stream of people asking for favors from the newly influential ambassador. Credit: Warner Bros. Television Though it take a thousand years, we will be free. G’Kar is trying desperately to help his people, but the road is made considerably more difficult by politics and his own people’s unwillingness to play nice. This includes G’Kar himself, as his past behavior is cited as a reason why Delenn isin’t sure the Minbari can provide aid… Welcome aboard. The two Lumati are played by the great character actor Ian Abercrombie and the great singer/songwriter/actor Paul Williams. Christopher Darga plays the Narn troublemaker while Paul Ainsley plays the Centauri dudebro. Glenn Morshower plays Franke, and the ill-fated Narn military officers are played by Sandey Grinn and Jennifer Anglin, who are among the regular gaggle of background actors the show used a lot. Finally, we have recurring regulars Jeff Conaway, back from “The Coming of Shadows” as Allan, and Joshua Cox, back from “All Alone in the Night” as Corwin; both will be back in “Hunter, Prey” next time. Trivial matters. This is Mary Kay Adams’ second and final appearance as Na’Toth, and the character’s penultimate appearance. Na’Toth will next be seen in season five’s “A Tragedy of Telepaths,” played by her original actor, Caitlin Brown. Adams will, however, continue to be listed in the opening credits for the rest of the second season. Garibaldi was seen loaning money to Mollari to pay off his gambling habit all the way back in “The Gathering.” The echoes of all of our conversations. “Mr. Garibaldi, in my time very few people on this station have listened to me or taken me seriously—until recently. Now I have friends I never knew were there. But you—you always listen to me, you are always kind to me, even when you had nothing to gain. And now that things are changing, and I look around for someone to share my good fortune with, there is no one. Except you. My good, close friend Garibaldi.” —Mollari baring his soul to Garibaldi. Credit: Warner Bros. Television The name of the place is Babylon 5. “When you have been crushed beneath the wheel for as long as we have, revenge occupies your every waking thought.” All right, let’s get the pink elephant in the room out of the way: I was dreading rewatching this episode because the final scene between Ivanova and the Lumati made me laugh in 1995, but the memory of it three decades later made me shudder. And then I watched the episode, and I did laugh again, but this time the laughter caught in my throat. While Ivanova’s solution was a clever one to get her out of being forced to have sex against her will—pretty damn close to the textbook definition of a rape—that doesn’t change the fact that she was being forced to have sex against her will. Brava to her for the solution, which has the added benefit of being hilarious (and Claudia Christian played it beautifully), but the entire notion as written is problematic as hell. J. Michael Straczynski pointed out online back in the day that the notion of using sex to close a deal is something that has been seen throughout human history in places like ancient Egypt and parts of the Middle East, and even in parts of medieval Europe. The problem is that in those places, both parties knew going in that that was the endgame, as it were, and that’s not remotely the case here. There’s also a very oogy component to all this, that the prize Correlimurzon gets is to have sex with the hot chick. (A component that is borne out by Correlimurzon pawing over Ivanova’s clothing in her quarters, setting us up for frat-boy behavior rather than the behavior of a diplomat doing what he’s culturally obligated to do.) Straczynski also said that if Sheridan was the one negotiating, the same demand would’ve been made, and sorry, that doesn’t wash. I don’t buy for a nanosecond that he would’ve ever even considered writing that, and also saying it on an online forum is easy. I didn’t buy it when J.K. Rowling tried to convince us that no, really, Dumbledore is gay, and I don’t buy it here, either. As for the rest of the episode, it’s truly excellent. I love that Mollari is finding out that being influential and powerful isn’t all it’s cracked up to be (kind of the same lesson the emperor learned too late in “The Coming of Shadows”), and his scenes with Garibaldi are superb, full of pathos and sorrow, as he realizes that it really is lonely at the top. Of course, if we feel sorry for him for too long, we can always cut back to the opening scene of the Centauri firing on civilians and G’Kar’s righteous indignation at the way the war is progressing. While this episode is full of excellent performances, Andreas Katsulas is the one who owns it. G’Kar is trying so desperately to do right by his people, and it’s a constant struggle, not aided by his own people complicating matters. Katsulas beautifully plays G’Kar’s anger, his sorrow, his desperation, and especially the complex series of emotions he goes through when Sheridan and Delenn give him the news of the aid they can provide. On the one hand, he went to this meeting so sure that the Minbari Federation and Earth Alliance were going to provide aid, and he’s so disappointed that they’re not. What Sheridan and Delenn are offering is a pittance by comparison, and you can see that it takes him several seconds to realize that both the captain and ambassador are taking a huge risk by acting against their government’s wishes to still help the Narn people. But it’s not nearly enough, either… Also the Lumati plotline is generally pretty good, too. I love and heartily approve of the shot taken at the Star Trek spinoffs’ appallingly brutal application of the Prime Directive (see my rants on the subject in the rewatches of The Next Generation’s “Homeward” and Enterprise’s “Dear Doctor” in particular) by having the Lumati act the same way Trek protagonists do when dealing with “inferior” species. And for all that the “sex” scene is yucky, I love that Taq very obviously figured out what Ivanova was doing and gave her that knowing smile and handshake at the end. Next week: “Hunter, Prey.”[end-mark] The post <i>Babylon 5</i> Rewatch: “Acts of Sacrifice” appeared first on Reactor.
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28 w

TikTok Fights Back, Claims Ban Violates Free Speech and Due Process
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TikTok Fights Back, Claims Ban Violates Free Speech and Due Process

If you're tired of censorship and dystopian threats against civil liberties, subscribe to Reclaim The Net. TikTok and its parent company, ByteDance, has today filed a motion in the United States Court of Appeals for the District of Columbia Circuit, seeking an injunction to block the enforcement of the Protecting Americans from Foreign Adversary Controlled Applications Act. The companies argue that the legislation, which effectively bans TikTok in the US, violates constitutional protections, including the First Amendment, and constitutes a “bill of attainder” that unfairly targets them. (A bill of attainder is a legislative act that declares a person or group guilty of a crime and imposes punishment without a judicial trial, which is prohibited by the US Constitution.) We obtained a copy of the motion for you here. TikTok, a platform used by 170 million Americans, claims the law singles out their platform for alleged risks without clear evidence, relying instead on speculative threats and post hoc government justifications. Key Arguments: First Amendment Violation: TikTok contends that the law imposes the “most sweeping speech restriction in this country’s history” by banning a platform where millions of Americans share content. The company emphasizes that courts must rigorously scrutinize government restrictions on speech, even when national security is invoked. Lack of Evidence: The motion highlights that the US government has admitted it has no evidence of China manipulating TikTok’s content or accessing sensitive US user data. TikTok states that its US operations, including its recommendation algorithm and user data, are securely housed in Oracle’s US-based cloud. Under inclusive Legislation: The petitioners argue the law arbitrarily exempts other foreign-controlled applications, raising doubts about its true intent. They allege the Act is crafted solely to ban TikTok while leaving similar platforms unaffected. Unconstitutional Punishment: ByteDance asserts the law amounts to a legislative punishment—a bill of attainder—specifically targeting them without due process. The US government, represented by Attorney General Merrick Garland, defends the law as necessary to safeguard national security. Officials argue that TikTok’s ownership by ByteDance, a Chinese company, creates vulnerabilities that could be exploited by the Chinese government. They cite the risk of covert content manipulation and data collection as justifications for the legislation. TikTok’s legal team described the law as “the most sweeping speech restriction in this country’s history,” alleging that it unfairly targets the app and its 170 million US users without justification. In their motion, TikTok argued that “even in matters of national security, courts must rigorously scrutinize government restraints on speech to ensure protection of First Amendment rights.” The company dismissed the US government’s claims of potential threats as speculative, stating, “The government repeatedly admits it has no evidence that China ever manipulated the content Americans see on TikTok.” They further emphasized, “Courts do not uphold content-based speech restrictions without ‘hard evidence.’” TikTok also challenged the government’s portrayal of its recommendation algorithm and data storage practices. “Unrebutted evidence establishes that ‘TikTok’s US recommendation engine is stored in the Oracle cloud in the United States,’” the motion reads. The company claimed its robust security measures make manipulation or unauthorized access impossible, noting, “Petitioners take robust measures to prevent manipulation.” Critics of the legislation also highlighted its selective enforcement. TikTok’s attorneys argued, “The Act is so ‘wildly underinclusive’ as to ‘raise…serious doubts’ that data collection was Congress’s real concern.” They alleged that the law “purpose-built” a framework to ban TikTok while exempting other platforms with similar risks, calling the legislation “a veneer of general applicability” aimed squarely at shutting down TikTok. The motion underscored the broader constitutional stakes, asserting, “A law designed and intended to suppress or restrict the expression of specific speakers contradicts basic First Amendment principles.” They warned that the Act “singles out one company for a ban—exactly the sort of legislative punishment the Constitution forbids.” In addition to raising First Amendment concerns, TikTok’s legal team pointed to what they called the government’s disregard for less intrusive alternatives. They argued, “Congress could have fully addressed [content manipulation] concerns by requiring disclosure of the US government’s view of that risk, akin to a Surgeon General’s Warning,” rather than implementing a complete ban. If you're tired of censorship and dystopian threats against civil liberties, subscribe to Reclaim The Net. The post TikTok Fights Back, Claims Ban Violates Free Speech and Due Process appeared first on Reclaim The Net.
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