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Given the nature of the beast, it can be tricky following the membership of Bad Company these days. The original four seem to float in and out of the scene like MIAs on holiday. Few would argue, however, that Bad Company isn’t really Bad Company unless Paul Rodgers is front and center. With all due respect, the 80s line-up with Brian Howe on vocals was a completely different animal that conveniently borrowed the name because guitarist Mick Ralphs knew he couldn’t get away with calling it Mott The Hoople. We’ll probably never know if Rodgers tried the same tactic with Jimmy Page. In 1998, the original four reunited for a box set and tour. Now, with Ralphs and bassist Boz Burrell apparently out of the picture, Rodgers and drummer Simon Kirke have gone ahead to work the legacy for all its worth. Recruiting a guitarist and bassist, the new millennial Bad Company is nothing less and nothing more than the durable, hard rockin’ quartet that burst out of the gate in 1974. With 2002’s Merchants Of Cool, a live CD/DVD combo platter, Bad Company peels off one hit after another, sounding amazingly fresh and potent. Whether or not there’s much left to extract doesn’t even enter into the equation. One has to wonder about Paul Rodgers’ motives. Surely, he could enjoy a modest solo career covering much of the same material (and a bigger cut?). It’s fairly obvious that the man some call “The Voice” is relatively comfortable in a band setting. Between Free and the Firm, Rodgers was never more self-assured as a singer and songwriter as he was with Bad Company. Over 25 years later, he could still wail through “Can’t Get Enough” and “”Ready For Love” with all of the verve and muster of singers half his age. Stepping into the shoes of Mick Ralphs is all but second nature to Dave Colwell, whose fleeting relationship with the band finally landed him behind the plate, so to speak. Colwell and bassist Jaz Lochrie easily pick up from where others once roamed. Kirke keenly taps out a pragmatic and economical beat that never lets the rhythm get out of whack. Taken from two shows, Merchants of Cool is the first live album from Bad Company. Aside from polishing off shining renditions of “Rock And Roll Fantasy” and “Feel Like Makin’ Love,” the disc wanders into some novel terrain that elicits further credibility. Perhaps it’s reaffirming to know that Rodgers could strap on a guitar and entice the audience with something as undemanding as “Seagull.” Or that he could launch into “All Right Now” and bring the room to its feet. For buyers of the DVD, there’s an extra bonus when Slash and Neal Schon join the band for a smokin’ version of the Free classic “Wishing Well.” When you throw in additional interviews with Mick Jones and Tommy Shaw, it’s obvious the reunion of 98 missed a golden opportunity. To really upset the balance of the past, Rodgers also unveiled two new studio songs that function as models for the future. When you consider Bad Company’s easygoing brand of British rock, it’s not all that difficult to see how “Joe Fabulous” and “Saving Grace” snuggle in nicely with the rest of the repertoire. By the cheers flowing throughout Merchants Of Cool, there was obviously an audience hungry for whatever Bad Company had to offer. ~ Shawn Perry Purchase Merchants Of Cool

Review & photos by Ron Lyon It seemed in an instant, that the typical long summer season has finally turned to fall in Southern California. The glorious sunshine of the day turned into a cold and biting wind just as the darkness of night hit. On this night at the Hollywood Bowl, music fans were ready with beanies, blankets, and Patagonia puffy jackets. They were gathered here together to see David Gilmour, the voice and guitar of Pink Floyd, on the first of three sold-out nights at the famous concert venue behind his fifth studio album, Luck And Strange. The limited tour began earlier in the week at L.A.’s newly built sports arena Intuit Dome. Gilmour and his band plowed through the same 23-song set list that night, but there wholly different vibe, most likely due to the thin air in a seat so high up. Far away and disconnected, I felt. My seat was off-center stage left, cozy, and the best I’ve had yet at the Hollywood Bowl. Anticipation was high as the lights went out, dual synthesizers began a low drone, and David Gilmour emerged through a hazy red fog. All you could see his silhouette, throwing a guitar strap over his shoulder, and flicking a switch to begin with 5 A.M. from 2015’s Rattle That Lock album. It was a sound that was familiar and unique; and for next three hours, that unique guitar sound and the music that came along with it would be on full display. Much of night was filled with new music from Luck And Strange. As he’s done on previous solo tours, Gilmour neglected to play anything from his first two solo albums, 1978’s David Gilmour or 1984’s About Face. For this short outing, which  winds up in New York City for five nights at Madison Square Garden, Gilmour also passed over anything from this third solo album, 2006’s On An Island. Of course, whatever wasn’t new or from Rattle That Lock was from the Pink Floyd songbook. Gilmour knew that’s what most people wanted to hear. As for how Gilmour and his band — bassist Guy Pratt, guitarist Ben Worsley, drummer Adam Betts, keyboardists Greg Phillinganes and Rob Gentry plus Louise Marshall and The Webb Sisters (Hattie & Charley) on backing vocals — took on the older and newer material with an equal measure of execution and passion.  At one point, Gilmour’s daughter Romany joined the ensemble, playing harp on the instrumental on “Vita Brevis” before segueing into “Between Two Points,” on which she sings the lead vocal. Seeing her play and interact with her father was emotive, sweet and well received. The first half of The Dark Side Of The Moon dazzled the audience, with “Money” intentionally left out. On a lighter note, “Wish You Were Here” was simply perfection to all the senses. Near the end of “High Hopes” from Pink Floyd’s 1994 release The Division Bell, large white balloons were released into the Bowl, tumbling down towards the stage, bouncing above the crowd like ping pong balls. During the second set, “The Great Gig In The Sky” and “A Boat Lies Waiting,” from Rattle That Lock, served as a loving tribute to late Pink Floyd keyboardist Richard Wright. Three more from Luck And Strange — “Dark And Velvet Nights,” “Sings,” and “Scattered” — finished off the night. It came as no surprise that Gilmour returned to encore with “Comfortably Numb.” No matter how many ways you slice, the voice and that landmark guitar solo never get old. Every moment being in the Hollywood Bowl, seeing one of the original masters still at it, is an experience everyone should savor and relish at least once in their life.

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And, apparently, ONLY for Muslims. David Wood @Acts17David the european court of human rights ruled that not having your “religious feelings” hurt is a human right !! And you guest it, it’s only for the followers of the religion of peace@GadSaad is right AGAIN and AGAIN – Suicidal Empathy pic.twitter.com/NsyiJOle1g — IslamHub (@TheIslamHub) October 27, […]