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Pet Life
Pet Life
35 w

An Introduction to Raphael in Eight Questions (and Answers)
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An Introduction to Raphael in Eight Questions (and Answers)

The post An Introduction to Raphael in Eight Questions (and Answers) by Wesley Nelson appeared first on Catster. Copying over entire articles infringes on copyright laws. You may not be aware of it, but all of these articles were assigned, contracted and paid for, so they aren't considered public domain. However, we appreciate that you like the article and would love it if you continued sharing just the first paragraph of an article, then linking out to the rest of the piece on Catster.com. Welcome to the Wednesday Cats of Catster! Every week, we share a story from one of our cat-loving Catsters. This week is about Wes and his fiercely cuddly Russian Blue, Raphael. When we last left off, I told you all about only two elements of Raphael’s personality: one, an obsession for all things consumable, and two, a drive to snuggle that would make an Antarctic Emperor Penguin proud (if you haven’t seen them, you’re missing out). As I mentioned, though, that’s just the very surface of our story, and there’s so much more to my little four-legged companion. Today, I thought a question-and-answer session would be the perfect way to get you properly up to speed with all things Raphy. Now bear in mind, if you hate any questions, he insisted on them. Also, he was very insistent on the answers, too. Basically, any and all criticism should be directed his way. The 8 Questions to Introduce Raphael: 1. What breed is Raphael? Raphael is a Russian Blue. As he is our first cat as adults, my partner (Steph) and I wanted to ensure we had the right breed for us. We’d been told that Russian Blues combined close companionship with a lot of intelligence – and boy were they right! 2. Is Raphael a male or female cat? Raphael is a male cat. At least, that’s what the vet told us. If he isn’t, then castrating him was a huge mistake! 3. Who on Earth calls a cat ‘Raphael’? This is the question we get asked the most. Steph and I both love art and exhibitions. In fact, our second date (when I was living in Hong Kong) took place at a Chinese calligraphy exhibition. In the summer of 2022, the National Gallery in London held an exhibition of Raphael’s works (which, incidentally, was excellent). A few weeks later, when a small but regal gray bundle of fur came into our lives, we knew what an honor it would be for the Italian Renaissance painter if he were to share a name with this beautiful boy before us. 4. When is Raphael’s birthday? 20th May 2022. He’s really hoping that this means you’ll be sending gifts his way. He gently reminds you to read the other answers thoroughly so that you don’t mess it up and get him something he has to return. 5. What does Raphael love? The vet (and Catster’s experts) told us a little while ago that to keep Raphy healthy into old age, it would be optimal if we could get him used to having his teeth brushed. Well, I have to say, far beyond being used to it – he now adores it! At the end of the day, when we brush our teeth, he comes running, too! 6. What does Raphael hate? Raphael is the bravest scaredy cat you’ve ever met, especially when an unknown visitor is at the door. Before they enter, he’s all bravado and bluster – running to the door and getting as close to the action as he can. After all, he’s training to take on guard-cat duty. Then, as soon as the stranger(s) step foot inside, he’s hustling his furs away. He especially hates unknown men, for some reason. Looks like guard-cat duty is a while away yet! 7. Who’s the spare human? You know the answer. I’ll get in trouble if I say anything out of line here. It’s an undeniable, incontrovertible truth that I am the spare human, and Steph is number one. (That is the official party line and I’m sticking to it, no matter what). 8. What’s his favorite toy? His Hepper Hi Lo of course! Although I’m biased, we have a number of them dotted throughout the apartment, much to his approval, and it’s always exciting to see him using it – whether it’s the first scratch or the hundredth. I love the sense that he’s working out any frustrations (you got it, he got told it wasn’t lunchtime yet) and getting a good muscle stretch in, too. And there’s so much more to know… Hopefully that canter through a couple of questions was illuminating and interesting, but when it comes to our journey with Raphy, there are endless things to share! If you have any suggestions for what topics you want to discuss in this space, please leave a comment and let me know. Also, I’d love to hear your answers to the questions above, too! Let me and Raphy know what tickles the whiskers of your lovely little four-legged friends. Who knows, your answers might give us some inspiration for those between-meal times! The post An Introduction to Raphael in Eight Questions (and Answers) by Wesley Nelson appeared first on Catster. Copying over entire articles infringes on copyright laws. You may not be aware of it, but all of these articles were assigned, contracted and paid for, so they aren't considered public domain. However, we appreciate that you like the article and would love it if you continued sharing just the first paragraph of an article, then linking out to the rest of the piece on Catster.com.
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SciFi and Fantasy
SciFi and Fantasy  
35 w

Revealing Portalmania by Debbie Urbanski
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Revealing Portalmania by Debbie Urbanski

Books cover reveal Revealing Portalmania by Debbie Urbanski A genre-busting collection of stories from the author of After World. By Reactor | Published on October 30, 2024 Photo credit: Stella Urbanski Comment 0 Share New Share Photo credit: Stella Urbanski We’re thrilled to share the cover and preview an excerpt from Debbie Urbanski’s Portalmania, a genre-busting collection available May 13, 2025 from Simon & Schuster. If you could go anywhere, where would you go? And what happens to the people you leave behind?In Portalmania, Debbie Urbanski wields sci-fi, fantasy, horror, and realism to build a dark mirror that she holds up to the ordinary world. Within the sharply imagined landscape of this collection, portals appear in linen closets, planetary gateways materialize in boarding schools, monsters wait in bathroom vents, and transformations of women’s bodies are an everyday occurrence. Political division causes physical rifts that break apart the Earth’s crust. A son on another planet sends dispatches home to the mother who failed him, and a wife turns to the supernatural to escape her abusive marriage. Portals are not only doorways found in children’s classics, but separations, escapes, dead ends, desertions, and choices that will change these characters’ lives forever.Against a fantastical backdrop, these stories dive bravely into the shadowy depths of betrayal, parenthood, revenge, murder, coercive sex, open marriages, asexuality, neurodiversity, and second chances. What if we’re not the ideal parents for our children? What if we’re not the ideal person to live our own life? Portalmania questions why we love as we do and asks if we have enough courage to reimagine desire. Cover design by Math Monahan Buy the Book Portalmania Debbie Urbanski Buy Book Portalmania Debbie Urbanski Buy this book from: AmazonBarnes and NobleiBooksIndieBoundTarget Debbie Urbanski is the author of the novel After World. Her stories and essays have been published widely in such places as The Best American Science Fiction and Fantasy, Best American Experimental Writing, The Sun, Granta, Orion, and Junior Great Books. A recipient of a Rona Jaffe Foundation Writers’ Award, she can often be found hiking with her family in the hills south of Syracuse, New York. She is still looking for her portal. A Few Personal Observations on Portals The first portal that appeared in our town belonged to Mr. Hogan. It showed up in one of his bathrooms above the sink and proceeded to block a good deal of his vanity mirror, resulting in several shaving accidents. I don’t know why a portal appeared to him first. It’s not like he was the type to attract otherworldly things. Benny and I walked over to the Hogans’ house a few days after the rumors began. I carried a Ziploc baggie of homemade gingersnaps, intending to drop by for a chat. Before leaving the Hogan residence, I planned to ask to use their bathroom, the one with the portal in it. I assumed that having a portal would be a private matter, like having trouble with one’s digestion. They might not initiate the sharing of it. We would have brought along our son and daughter, only it was Saturday, so they had their own activities, basketball and figure skating respectively. The Hogans resided on the other side of the park in an older and tree-lined neighborhood. Because of the crowd spilling across the sidewalk and into the street, I thought there must be some kind of festival that day, like the Hometown Homemade festival. Most people would find a portal’s appearance either suspect or ridiculous, I presumed, so they would stay away. There was no festival. The crowd consisted of some neighbors I recognized and others I didn’t know, attempting to form themselves into a resemblance of a line that led to the Hogans’ house. At the front of the line, in the driveway, sat Mrs. Hogan behind a folding table, collecting money. The various admission options were posted on a sign taped to the garage door. We could have chosen a day or weekly pass or a season pass that lasted through the end of October. I hadn’t brought my wallet with me. Neither had Benny. When we reached the fold.ing table, Mrs. Hogan said she’d vouch for us, and we could drop off the cash later that day. “Trust me, this is going to be worth the wait and the expense!” she promised as she wrote our receipt. By this point, Benny and I had eaten most of the gingersnaps. We offered the final cookie to Mrs. Hogan, who claimed she wasn’t hungry. The Hogans’ bathroom, located on the first floor opposite the living room, was neither spacious nor modern. It was a half bath, a powder room I believe it’s called, and in desperate need of updating. At least they should have taken down the golden wallpaper. A lot of people were crammed inside that tiny room. The atmosphere felt festive and celebratory and also uncomfortable. Everyone was taking pictures, not only of the portal itself but also of the bathroom ceiling, and the contents of Mr. Hogan’s medicine cabinet, and the plunger, and the pair of identical toothbrushes set upon the vanity. Every item in that room radiated importance, including Mr. Hogan himself, who, dressed in an ill-fitted blazer and tie, knelt on the toilet, a few fresh scabs on his chin. Probably that blazer had been borrowed. Every few minutes, he recited a speech to whoever was in the room. “I think each of us might belong to a different world,” he said. The portal itself looked spectacular hovering there above the sink. I still have a picture of it on my phone: a luminescent sheet that wavered as if caught in a crosswind. It smelled of mouth.wash and lavender. I stayed in the bathroom for as long as I could manage. Through Mr. Hogan’s portal, I saw a sky like ours, only the sky was filled impractically with many suns, so bright it was hard to look at. Mr. Hogan said he saw something very different. He wouldn’t tell us what he saw. At the close of his speech, he demonstrated how he could push his fingers through. Once, to much applause and hooting, he shoved through his entire arm. That must have hurt, judging from the way he cradled his elbow afterward, carefully kneading his skin. He promised us he had no plans to cross the threshold completely. “I don’t think I’d fit,” he said, laughing. He seemed to be suggesting the portal might not entirely want him. This turned out to be untrue, of course, as portals appear only to the people they want, but we didn’t know a lot of things about portals back then, and what we thought we knew was mostly wrong. We left the Hogans’ bathroom after twelve minutes. A certain queasiness had come over me, a certain discomfort that cleared once we emerged from the house. “Lucky guy,” Benny said to me on the way home. * * * The following week, Ms. Bauer found a portal under her basement stairs. Her portal looked different from Mr. Hogan’s. This came as a surprise to a lot of people, myself included. Previously I assumed portals could only look one way, that they had to resemble a shining rectangle, like in the movies. Ms. Bauer’s portal was an odd shape with thirty-two sides—what is a shape like that even called?—and in addition it was short and squat. If you wanted to peer through it, you had to get down on your knees on the basement floor, which I don’t think had ever been swept. Ms. Bauer charged an entrance fee as well. We brought the children and chose the family admission option. Despite her charging half as much as Mr. Hogan, there were only three others in line when we arrived. My children acted uninterested as we waited our turn. They said they had already seen numerous portals on their screens. “But this portal is real,” I told them. “Those other portals you saw might have looked real but they weren’t. They were made up for a movie.” Billy said, “No, they were real.” I said, “They weren’t real.” Billy said, “They were real.” I said, “Let’s go into the basement.” In the basement, I made each child ask a question. “Can we touch it?” Billy asked, reaching out his arm. “No, you may not,” snapped Ms. Bauer. She had strung a nylon rope in front of her portal and ordered us to stay behind the rope. Jeanie asked if there was any milk to drink. To be honest, this was not a pleasant place to be. The basement was neither refinished nor upbeat. The portal, trapped under the stairs, resembled a dreary and many-sided rain cloud that produced its own atmosphere of dread. Benny was already on his knees in the center of the room. I made the children get down on the floor with me. “What do you see?” I asked them, struggling to breathe deeply. “I see a little hill,” Jeanie said. “Is this all it does?” Billy asked. I stood up and dusted the filth from my knees. “Too bad it’s not busier today,” I told Ms. Bauer. “Oh, don’t you worry. They’ll come running later on,” she explained, so confident that her portal would remain special. * * * Our town’s third portal appeared to Mrs. Juliet Luna, who lived with her wife in a two-story bungalow across the street. They never shut their blinds for some reason so I always knew what they were up to. A week after Mr. Hogan’s portal appeared, I knew they had begun looking for portals of their own. Every evening I watched them. Mrs. Ada Luna carried a clipboard. Usually they searched the rooms together, but Mrs. Ada Luna was in the attic for some reason when Mrs. Juliet Luna peeked into the linen closet and found her portal, a circle the color of a sapphire and infused with light. She cried when she found it. For a long while, she, crying, stared at it pulsating beside the pile of folded towels, her face messed up with tears. Then she shut the closet door and went into the bathroom. I watched her splash water onto her face. She didn’t show the portal to the other Mrs. Luna until the follow.ing day. After Mrs. Juliet Luna’s discovery, many people, including my children’s friends, began searching for their own portals. “Are we getting portals too?” Jeanie asked me. “I thought you weren’t interested in portals,” I reminded her. “I like them now.” “We aren’t getting a portal,” I said with such confidence. I didn’t know what I was talking about. Back then it seemed to me that portals appeared only to unhappy people. For example, it was a well-known fact that Mrs. Hogan desired to have sex while Mr. Hogan didn’t. She thought something was medically wrong with her husband. She kept dragging him to specialists and complaining in online forums about her “dead bedroom.” And Ms. Bauer had needed her stomach pumped twice in the emergency room. And Mrs. Juliet Luna could not find employment, having spent decades honing her skills as a switchboard operator. Nobody needed switchboard operators anymore. I see now how I was simplifying the situation: I wished to find a pattern, because I wished for the appearance of the portals to make a rational sense. What if portals weren’t rational? What if they were angry instead? Or vindictive? Or greedy? Or wrong? I believed my family was different from our unhappy neighbors. I loved my children. If children were loved as much as mine were, I believed they would want to stay where they are, rooted by my love. Likewise, I loved my husband. He was so familiar to me. We were experiencing our share of difficulties, sure, but such difficulties, I still believe, fall within the cyclical nature of a marriage. I have always considered familiarity to be the most stable form of love. * * * Portals turned up all over town. Many of the newer portals materialized to children. Though not only to children, and not everyone with a portal was unhappy. Honestly it was difficult to distinguish the rules, if there were any rules. One Wednesday, a portal appeared to the Riccis’ squinty-eyed newborn who could barely make out his mother’s face, let alone notice his own wispy portal stretching, like a web, across the corner of the hospital room. Nobody noticed the infant’s portal for hours in the chaos after birth. My neighbor Ms. Li, a night nurse, was the one to bring the baby’s portal to Mrs. Ricci’s attention. “Why on Earth would my baby need a portal? I think it’s actually my portal,” challenged the new mother. But there are certain feelings surrounding a portal, a certain force of feeling, which generally makes clear who the portal wants. When it isn’t yours, you experience a violence restlessly pushing against the inside of your chest. Maybe violence is too strong a word. But that’s what it felt like. A hard shove back. Eventually Mrs. Ricci asked that she and her child be moved to a different room. The baby cried all night and the night after that. On Thursday, a dark portal appeared to Mr. Underwood, who is deaf in one ear and widowed. My husband and I talked at night about the portals of other people. Here’s an observation: a person’s portal generally reflects some aspect of their personality. By studying people’s portals, it was like we were learning each other’s secrets or gaining confirmation of our suspicions. “Did you hear about Mrs. Sikora’s portal?” I asked Benny. Mrs. Sikora, a frequent visitor to the library where I worked, did not allow her children to read fairy tales or check out DVDs, even the educational ones. I found her overbearing and small-minded. The previous year, she campaigned to remove computers from the elementary school. “Her portal is the size of a quarter,” I told my husband. “I hear you can barely see anything through it, and what you can see looks like a dead end. Which is just about what I’d expect from her.” It seemed, at the time, like the portals were going to be okay, like the appearance of portals in our town would ultimately help us to understand each other. Also it gave Benny and me something to talk about in the evenings. Evidently your portal could appear anywhere, in the upper branches of a tree, or in the children’s section of a library beside the audio-books. But in all the excitement and newness, I think we forgot what portals actually are: a gateway to somewhere else. Meaning an exit. Do you get what I’m saying? It’s like we thought they were static works of art, these harmless and fascinating compositions that would not take people away. Excerpted from Portalmania by Debbie Urbanski. Copyright © 2025. Reprinted by permission of Simon & Schuster, Inc. All rights reserved. The post Revealing <i>Portalmania</i> by Debbie Urbanski appeared first on Reactor.
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SciFi and Fantasy
SciFi and Fantasy  
35 w

Horror Has Always Been Political
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Horror Has Always Been Political

Featured Essays Horror Horror Has Always Been Political A reminder that horror movies always reflect the anxieties of the culture in which they’re created—it’s nothing new. By Joe George | Published on October 30, 2024 Comment 0 Share New Share A Quiet Place: Day One. Alien: Romulus. The First Omen. Immaculate. These films have thrilled general audiences and fright flick fans alike, ranking among the highest grossing movies of 2024. The cynical among us might contend that these movies do so well because of their political messaging. Those four entries alone mix their scares with narratives that reflect real-world concerns about women’s autonomy over their bodies, the exploitation of workers’ rights, our increasingly divisive and dehumanizing political landscape, and more. More and more, scary movies fall into what some call “elevated horror,” films intended not just to shock audiences, but to also make them think. The concept exploded back in 2015, when Jordan Peele’s debut feature Get Out dominated the box office and was nominated for the Best Picture Oscar. A frightening parable about the insidiousness of benevolent racism, Get Out changed the way some people thought about horror, elevating the genre from a lowbrow distraction that appeals to viewers’ baser natures to an art form that speaks on the pressing issues of our day. No one would deny the power of Get Out, nor Peele’s deft direction and unique vision. But to act like the film fundamentally changed horror misunderstands the genre. Horror has always been political, and it always will be. All Monsters Have Meaning The Bride of Frankenstein seems, at a glance, about as apolitical as a movie can get. A classic, yes. But a 1935 movie based on an 1818 novel, about the rivalry between mad scientists Baron Henry Frankenstein (Colin Clive) and Doctor Pretorius (Ernest Thesiger), who strive to make a mate for the Monster (Boris Karloff), The Bride of Frankenstein seems designed for pure escapism, a mix of scares, humor, and romance. However, it’s impossible to watch The Bride of Frankenstein without noticing that it’s about men trying to construct the perfect woman, for the pleasure of another man (well, a male-presenting monster). Furthermore, the frame narrative—in which the Bride’s actor Elsa Lanchester also portrays Frankenstein author Mary Wollstonecraft Shelley—features a woman pressed into telling a story at the behest of male writers (Gavin Gordon playing Lord Byron and Douglas Walton portraying Mary’s husband Percy Bysshe Shelley). Mary undercuts the masculine claims to creative genius with a story about a woman who rejects even the men who made her. If a classic film based on Victorian literature seems too obvious, take Friday the 13th instead. By the admission of everyone involved, Friday the 13th was created to take advantage of Halloween’s box office success, throwing in more kills and bared skin to tease viewers, ensuring the maximum box office return on their microscopic budget. Friday the 13th makes no claims to originality, let alone basic good taste. Nor does it even pretend to say something about human nature. And yet, Friday the 13th ends up uncovering fears that parents felt about the safety of their children and anxieties over the perceived sexual permissiveness and impropriety of the next generation of adults. In Friday the 13th, the penalty for this self-involved hedonism takes the grim form of Jason Voorhees (well, Jason’s mother Pamela Voorhees, but you get it). If the decades have washed away Friday the 13th’s poor reputation, changing trash into treasure as hindsight always does, we can look at the Terrifier series. The brainchild of Damien Leone, the first Terrifier released in 2016, the second in 2022, and the third is set to release later this year. Against the aspirations of elevated horror, the Terrifier series seems to exist just to shock. Terrifier and Terrifier 2 have the barest of narratives, and just focus on Art the Clown (David Howard Thornton), who pantomimes for victims before mutilating them in stomach-churning fashion. Leone languishes in the cruelty of his set-pieces, at once showing off the movies’ (impressive, by any measure) practical special effects while also daring the audience to look away. The Terrifier movies celebrate their bad taste, transgressing every boundary with glee. And even that is political. No one can watch the way Art dismembers female bodies in Terrifier without thinking about the arguments about the way advertisers and onlookers reduce women to their individual parts. The stand-out dinner table sequence in Terrifier 2 packs a punch because of the way it transforms a conventional suburban home into a house of horrors. No one can escape the political in horror. Not Frankenstein, not Jason, not Art the Clown. No one. Founding Fears Horror is always political because fears and anxieties do not exist in a vacuum. Filmmakers need some sort of common ground or larger social context to draw on in order to frighten viewers. Sure, a director can just have a creature jump onto the scream and shout “Boo!” and those types of jump scares have their place, but those moments only startle viewers. They don’t truly scare them. To scare the members of the audience, a film has to invoke something that the audience doesn’t want to see, or even think about—something the viewer wants to forget. The horror has to transform the audience’s perception of a safe place or turn the familiar into the uncanny, the strange. That’s why David Lynch’s work, even if not always categorized as horror, can be simultaneously so scary and so mundane. When he holds his camera on a ceiling fan in the pilot to Twin Peaks, Lynch takes the most commonplace thing in the world and compels viewers to watch it for longer than anyone otherwise would. Add in a rumble on the soundtrack and blurring effect from a slowing of the film, and the ceiling fan becomes odd, unnerving. It becomes a sign of something very wrong in the Palmer house. The social quality of horror means that scary movies always have a deeper meaning, even if the creators didn’t intend it. Godzilla remains such a powerful metaphor about the scars of atomic bombs not because the 1954 movie constantly forces us to look for the underlying connections, but because it functions so well as a story about a giant lizard stomping Tokyo. It doesn’t need to scream about its larger meaning—atomic energy and Japanese cities in shambles mean inherently more to us, collectively, than just kaiju collateral damage. They evoke, inescapably, the wastes of Nagasaki and Hiroshima. With that in mind, Wes Craven (or better yet, someone helming a later, lesser sequel, such as Renny Harlin or Rachel Talalay) can make Freddy Kruger because a dream demon with razor claws is without question scary, but every Nightmare on Elm Street film highlights parents’ powerlessness, even in the suburbs. The blood-soaked Saw movies might seem like nothing more than Grand Guignol excesses with better effects, but their emphasis on torture from a self-righteous figure echoes the policies of the United States during the War on Terror. Even the most straightforward horror film is a product of the time, and the societal context, in which it is created. And anything that reflects the cultural moment and the prevailing ideologies and frictions playing out within a society is, by definition, political on some level. Instead of getting annoyed about the political aspect of horror movies, fans should learn to embrace the deeper means as a feature of their favorite genre. As just this brief survey shows, everything from classics to high-brow masterpieces to the trashiest schlockfests have political aspects, and those aspects don’t diminish the reputation, the class, or the gore. In fact, the political aspects enhance the good stuff. Sure, some filmmakers do better than others at combining scares with social commentary. Ham-fisted films such as Smile or the 2022 Danish version of Speak No Evil seem to underline every shocking moment with a blinking sign that nudges the audience, asking “Get it?!” Yet, clumsy creators have never diminished the talented ones. Which brings us back to Jordan Peele. Although Peele certainly didn’t invent the idea of political horror with Get Out, he did show that he is really, really good at it. Peele has followed Get Out with two more movies, just as audacious and skillful as Get Out. In fact, some fans (read: this writer) think that Us (2019), with its riff on doppelgängers and social inequality, and Nope (2023), a big-budget exploration of spectacle, media, exploitation, and erasure are even better than Get Out… and Get Out is a five-star film. Yet, as great as Peele is, movie makers don’t have to be just as skillful or thoughtful or fun to be political. They just have to want to scare us. The politics will always be there, to complicate or deepen the narrative… and frankly, politics are scary enough all on their own right now.[end-mark] The post Horror Has Always Been Political appeared first on Reactor.
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Pet Life
Pet Life
35 w

Being A Dad To Foster Kittens Changes This Depressed Dog For The Better
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Being A Dad To Foster Kittens Changes This Depressed Dog For The Better

A woman who used to foster dogs and cats is sharing the story of how foster kittens changed the life of her furry-friend who went from being “the saddest dog” to a playful and happy pooch. Claudia Papp, or more famously known on her social media accounts as “houstonfosterdogmom”, is sharing the story of her rescue dog, Chapo, and how fostering kittens changed his life for the better. Papp shares Chapo’s origin story and his “kitten medicine” in a series of TikTok videos she started uploading on September, during the pooch’s Gotcha Day anniversary. Life was not as good to Chapo prior to meeting Papp. The dog spent four years chained up before animal control found him. Papp shares with SWNS that because Chapo spent a long time chained in a yard and neglected, he had developed a skin infection, has intestinal worms, and a fractured set of teeth from chewing on his chain. After being rescued, Chapo was sent to a kill shelter. Papp then saw a video of Chapo looking sad and immediately decided to foster him – giving Chapo a second chance at life, and at a loving forever home. When Papp picked him up at the shelter where he came from, he was “the saddest dog on his last day [before being put down].” Papp said, “For months, progress was slow and I began to worry about him.” She then realized that the pooch liked the company of Papp’s cat. @houstonfosterdogmom those kittens will never know how much they did for him, but Chapo is so grateful ?? #hopecore #dogsoftiktok #kittensoftiktok #catsoftiktok #dogandkitten #pitty #transformation #rescuedog #thedodo #lovestory ♬ Jacob and the Stone (Slowed) – Emile Mosseri & sped up + slowed “I decided to say “yes” to fostering a sick kitten and let Chapo help me take care of her,” she explains. “And then I realized Chapo was coming out of his shell because of her so I just kept fostering kittens for them, and for him.” Papp fostered a total of six kittens for Chapo, “it was the medicine I never expected,” she said. “Those kittens will never know how much they did for him, but Chapo is so grateful,” she wrote on a Tiktok video caption, which has now garnered over 2 million likes. Papp also shares that Chapo is her 48th foster dog, “and the only foster I’ve ever adopted for myself,” she reveals. She explains why Chapo was the only foster she decided to officially adopt, despite having fostered a lot of lovely dogs and cats. “I’ve fostered a lot of animals and I’ve seen A LOT of trauma on these animals, but something about this dog… he is just absolutely magical and I couldn’t let him go.” Today, Chapo has “officially made up for lost time”. He now lives a safe and happy life with Papp where he is able to run freely in his own backyard, be with friends (his foster kittens), and just be loved by his hooman every day.
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Survival Prepper
Survival Prepper  
35 w

Trump Responds After Biden Calls 80 Million Americans Human Garbage, Then Lies About It
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Trump Responds After Biden Calls 80 Million Americans Human Garbage, Then Lies About It

Trump Responds After Biden Calls 80 Million Americans Human Garbage, Then Lies About It
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The Most Devastating Report So Far
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The Most Devastating Report So Far

The Most Devastating Report So Far
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Door Wedge: This Small $1 Item Could Save Someone’s Life
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Door Wedge: This Small $1 Item Could Save Someone’s Life

Door Wedge: This Small $1 Item Could Save Someone’s Life
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10 Recipes From “The Great Depression” To Survive The Next One
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10 Recipes From “The Great Depression” To Survive The Next One

10 Recipes From “The Great Depression” To Survive The Next One
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10 Most Powerful Herbs In The World
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10 Most Powerful Herbs In The World

10 Most Powerful Herbs In The World
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35 w

So Other Than That, Mrs. Harris, How Was the Speech?
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So Other Than That, Mrs. Harris, How Was the Speech?

So Other Than That, Mrs. Harris, How Was the Speech?
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