The Man in Black made music history again 23 years after his death. According to the Associated Press, Johnny Cash is the first professional musician to have a statue in the United States Capitol. The 8-foot statue was unveiled on September 24. Political leaders, fans, and family shared in the excitement. Johnny Cash Statue Unveiling in the U.S. Capitol. pic.twitter.com/ErfipvXmdC— CSPAN (@cspan) September 24, 2024 Johnny Represents His Home State Of Arkansas Each state has two statues in the Hall of Statuary representing important people from the state. Arkansas replaced its statues with Johnny and Daisy Bates, a civil rights leader. House Speaker Mike Johnson said at the unveiling ceremony, “Some may ask: Why should a musician have a statue here in the halls of the great American republic? The answer is pretty simple. It’s because America is about more than laws and politics.” Arkansas Governor Sarah Huckabee Sanders said, “After God and country came Johnny Cash.” She added, “When so much in today’s world is fake, Johnny Cash was very real.” Johnny’s daughter, Rosanne Cash, said her after would have loved the statue, and it would have been the “ultimate” honor in his life. Video of the unveiling was shared on X, and fans were thrilled to see Johnny larger than life. A fan shared, “That’s a great honor and well deserved! What a unique and beautiful voice he was!” Another fan agreed, “Congratulations Johnny! You earned it! Rest In Peace!” During his career, Johnny Cash won 13 Grammys and 9 Country Music Association Awards, among numerous others. He was inducted into the Country Music Hall of Fame in 1980 and the Rock and Roll Hall of Fame in 1992, In 1996, Johnny received the Kennedy Center Award. Johnny Cash died in Nashville at age 71 in September 2003. He passed away just four months after he lost the love of his life, June Carter Cash, his bride of 45 years. This story’s featured image is by CBS Photo Archive/Getty Images. The post Johnny Cash Just Made History At The US Capitol appeared first on InspireMore.

A post shared on social media purportedly shows a photo posing with a book called “On The Jews And Their Lies.” pic.twitter.com/epz6946Jp5 — Garbage Human (@GarbageHuman24) September 25, 2024 Verdict: False The photo is edited to show the book. Fact Check: Thunberg was recently arrested by Danish police after blocking an entrance to a building in protest […]

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Regular coffee or caffeine consumption may offer a protective effect against developing multiple cardiometabolic diseases like coronary heart disease and stroke, the most common killers in human society today. Detailed in new research published in the Endocrine Society, three cups of coffee per day were associated with those in the study cohort who had a […] The post Moderate Coffee and Caffeine Consumption Is Associated with Preventing Onset of #1 Killer appeared first on Good News Network.

News The Last of Us It’s The Last of Us Day, So We Get a New Look at The Last of Us Season Two “Say the thing you’re afraid to say.” By Molly Templeton | Published on September 26, 2024 Comment 0 Share New Share Happy cordyceps outbreak day, folks! In the videogame The Last of Us, September 26th is the day the cordyceps virus goes apeshit on humankind—so, naturally, it’s the day we get a new look at the second season of HBO’s The Last of Us, which jumps five years into Joel (Pedro Pascal) and Ellie’s (Bella Ramsey) future. Do you think everything’s great and all their problems are solved? Nah. There’s a whole horde of infected coming for them—and a whole bunch of new characters with agendas of their own. This trailer gives us a good look at Dina (Isabela Merced), whose intentions are written all over her face as she gazes at Ellie, and also Abby (Kaitlyn Dever), a character so contentious that Dever needed extra security while filming. The rest of the new cast includes Jeffrey Wright (playing Isaac), Young Mazino (Jesse), Ariela Barer (Mel), Tati Gabrielle (Nora), Spencer Lord (Owen), Danny Ramirez (Manny), and Catherine O’Hara, whose character has not been named. Returning cast includes Gabriel Luna as Joel’s brother Tommy and Rutina Wesley as Maria. O’Hara gets all the dialogue in this trailer, which is framed in much the same way previous footage was: O’Hara and Joel in a tense conversation, with wordless footage interspersed to give a sense of what the gang faces in the next season. Gamers and those of us who read spoilers about the game (for work purposes, obviously) know exactly how heavy things are going to get—and anyone who watched the first season knows there’s a reckoning coming between Joel and Ellie when she finds out about the choice he made. The brief summary offered for season two says, “After five years of peace following the events of the first season, Joel and Ellie’s collective past catches up to them, drawing them into conflict with each other and a world even more dangerous and unpredictable than the one they left behind.” The Last of Us, which is written and executive produced by Craig Mazin and Neil Druckmann, will return to HBO and Max in 2025.[end-mark] The post It’s <i>The Last of Us</i> Day, So We Get a New Look at <i>The Last of Us</i> Season Two appeared first on Reactor.

Books book culture When Did SFF Get Too Big? Is it possible to pinpoint the moment when readers stopped being able to keep up with their favorite genres? By James Davis Nicoll | Published on September 26, 2024 Photo: Agustin Gunawan [via Unsplash] Comment 0 Share New Share Photo: Agustin Gunawan [via Unsplash] Persons of a certain age—not old, you understand, just mature enough to remember inkwells in school desks, paddle-wheelers plying the Atlantic1, and the days when “computer” was a job description, not a machine—often enjoy making helpful comments on the current scene2, some more useful than others. One that I have heard several times: the number of science fiction and fantasy books now published is too large for any one person to read in timely fashion. Let’s discuss. The average Canadian reader3 reads only about seventeen books a year. A book and a half per month won’t keep up with a single imprint, let alone all of them. Even if we limit ourselves to Books Georg (someone who reads a book or more a day, the literary equivalent of Spiders Georg), the situation isn’t much better. A book a day adds up to 365 books (except in years divisible by four, when it totals 366). That would not even keep pace with the 1,500 or so new speculative fiction books listed in Locus each year. And it is certain that Locus does not document every text that could be classified as speculative fiction. When did SFF transition from a field readers could be expected to have covered thoroughly (thus ensuring common ground for conversation at fannish gatherings) to one in which each reader was aware only of a subset? One might think this question unanswerable, but there is some pertinent data. In 1953’s Modern Science Fiction: Its Meaning and Its Future (edited by Reginald Bretnor), Anthony Boucher estimated that there were forty-one SFF books published in 1949; sixty in 1950; fifty-seven in 1951; and forty-five in the first two thirds of 19524. That seems easily doable, at least for Books Georg. Except, of course, it doesn’t really account for everything published in the SFF magazines of the era, of which there were many. Jumping forward a generation, Lester del Rey’s 1972 Best Science Fiction Stories of the Year asserts that there were 195 new SFF works published that year. By this point, the number of SF magazines had plummeted sharply from the Eisenhower-era high. Still, 195 + Analog + Galaxy + If + The Magazine of Fantasy and Science Fiction probably kept Books Georg busy. In fact, as a Books Georg myself, I know for a fact that there’s lots of stuff I never saw, although here I am inclined to blame spotty book and magazine distribution rather than book and magazine superabundance. Skip forward another generation to Gardner Dozois’ 1993 The Year’s Best Science Fiction: Tenth Annual Collection. Despite 1992 having been a rather grim one for speculative fiction, with publishers cutting back lines in the face of weakening demand, Dozois suggested there were about 710 new speculative fiction novels. Unfortunately, Dozois did not quantify the number of anthologies. Nevertheless, 710 new SFF books + Analog + Asimov’s + F&SF + Omni + Amazing + Weird Tales + an unknown number of anthologies seems insurmountable even for Books Georg. Therefore, it seems reasonable to conclude that sometime between the 1970s and 1990s, SFF became too large for even avid readers to keep pace. Once that happened, it was inevitable that the field’s readers would become overlapping but heterogenous groups. It would be entirely possible for two Books Georg to discover that despite reading a book a day, they had read no books in common. This is all nice and mathy. Too bad for me that I just reread Who Killed Science Fiction, Earl’s Kemp’s Hugo Award-winning essay on the state of science fiction in 19605. Contributor C. L. Barrett, M.D. observed: What we also forget is that from 1922 to ’23, the time I can remember, I knew everything that was being published and read everything up until the 1940s. Since that time, it has been impossible for any one person to read all of it. Barrett asserts the field was too big by the 1940s, when Gernsbackian SF was at most twenty-two years old. Was there ever really a time when people actually could read the whole field? Or is that just a story older readers tell themselves, with the line between “fully known” and “too big for one person” drawn at the moment the reader became aware how large the SFF field is? I suspect the latter.[end-mark] Which is to say, 1969. ︎Such as “modern music is too commercialized and lacks the timeless qualities of classics like ‘Sugar, Sugar’ and ‘Honey,’” “Today’s kids dress weird; what ever happened to paisley, bell-bottoms, and stripes?” and the ever popular “In my day, students didn’t need an app to locate the Austro-Hungarian Empire!” ︎A quick survey of my neighbors suggests that most people live in Canada, so it’s reasonable to use Canadians as a universal measure. ︎Which might mean sixty-seven for 1952 as a whole? Except Boucher felt that the books published per year had plateaued. ︎A general review of which will appear over at Seattle 2025 WorldCon’s Yesterday, Today & Tomorrow blog. ︎The post When Did SFF Get Too Big? appeared first on Reactor.